I remember begging to go see Bambi back then, but somehow we missed the weekend it was playing at the Northeast Expressway Drive-In. Going to the drive-in was a strictly Friday/Saturday thing for my parents and I. So it looked like I was going to miss seeing Bambi. And--I clearly remember this--I cried. I cried about not seeing Bambi at the drive-in. So to calm me down, my father--on a Thursday night--took me, on his own, to go see it.

I base this conclusion on the quality of its animation, surely. But, most of all, I base it on the intense emotional reactions Bambi engenders in everyone who sees it. No other film in history has dramatized the beauties and harshness of the wild, and the life within it, better than this one.
It was released in 1942, and was based on the book Bambi, A Life in the Woods by Austrian author Felix Salten. It's biography at its most exacting: it tells the story of a doe, Bambi, who is born into royalty as the Great Prince of The Forest. His father is a majestic, many-horned buck--the King of the Forest--and his mother is a tender, nurturing queen. The film follows him from his birth to his ascendance to his father's mantle.

Upon this opening sequence's emotional climax--of which scads of humans have confessed is their most scarring moviegoing experience (and of which, for the benefit of the many whom I'm sure haven't seen it, I won't talk about now, except to say that it is devastating enough to have proven a problem for Disney, in the 1930s, to ever get made)--we jump to Bambi's adulthood. This part of the film is a bit less charming but, in its portrayal of "the circle of life," is ultimately as moving and makes the story blossom into one that acts a perfect template for another, arguably more popular Disney animated epic called The Lion King (which owes a ridiculous debt to Bambi). Just to keep the record straight, the supervising director was David Hand, and he had six other sequence directors, as well as Disney himself, to help; this puts it on an even plane with the largely more ambitious Fantasia, which had eleven animators working as directors. But it remains that Bambi is the more resplendent picture.

Drip, drip, drop
Little April shower
Beating a tune
As you fall all around
Drip, drip, drop
Little April shower
What can compare
To your beautiful sound
Beautiful sound, beautiful sound
Drip, drop, drip, drop
Drip, drip, drop
When the sky is cloudy
Your pretty music
Will brighten the day
Drip, drip, drop
When the sky is cloudy
You'll come along
With a song right away
Come with your beautiful music
Drip, drip drop
Little April shower
Beating a tune
As you fall all around
Drip, drip, drop
Little April shower
What can compare
To the beautiful sound
Drip, drip, drop
When the sky is cloudy
You come along
Come along with your pretty little song
Drip, drip, drop
When the sky is cloudy
You come along
Come along with your pretty little song
Gay little roundelay
Gay little roundelay
Song of the rainy day
Song of the rainy day
How I love to hear your patter
Pretty little pitter patter
Helter skelter when you pelter
Troubles always seem to scatter
Drip, drip drop
Little April shower
Beating a tune
As you fall all around
Drip, drip, drop
Little April shower
What can compare
To the beautiful sound
(Break)
Drip, drip drop
Little April shower
Beating a tune
As you fall all around
Drip, drip, drop
Little April shower
What can compare
To the beautiful sound
Beautiful sound

2 comments:
That's an eloquent and touching tribute to Bambi, Dean.
Thank you, Howard. I consider it a badge of honor that you read my writing, as I regard you as an artist of the first order.
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