Friday, May 11, 2018

The Best Screenwriting in Cinema



The following is an aggregation of what I've determined to be the film world's greatest examples of SCREENWRITING spanning the years 1925-2017. This is part of my ongoing Years in Review project. In total, 910 screenwriting achievements are noted here. With each year, the titles are listed in order of preference. Those in bold are those that were awarded one of the constantly changing Screenplay awards (which finally settled down into Original and Adapted screenplay categories in 1957). As illustration, I've chosen scenes from most of the winning screenplays when available, and mini-reviews of or trailers for the winning films when scenes were not available through You Tube. With all that said (and with the lead photo being from my favorite Oscar-winning screenplay, Steve Tesich's Breaking Away), here we go! ONE NOTE: There are A LOT of clips here, so be patient with the load-in! 



1925: Charles Chaplin, THE GOLD RUSH (2nd: Nina Agadzhanova and Sergei Eisenstein, Battleship Potemkin, followed by: Clarence Aaron Robbins and Waldemar Young, The Unholy Three) (3)



1926: Buster Keaton, Clyde Bruckman, Al Boasberg and Charles Smith, THE GENERAL (2nd: Johann Wolfgang Goethe, Hans Kyser and Gerhart Hauptmann, Faust; Eliot Stannard and Alfred Hitchcock, The Lodger) (3)



1927: Carl Meyer, Herbert Sudermann, Katherine Hilliker, H.H. Caldwell, SUNRISE (2nd: Abel Gance, Napoleon; Thea Von Harbou, Metropolis; Benjamin Glazer, Katherine Hilliker, H.H. Caldwell, 7th Heaven; Elinor Glyn, Hope Loring, Louis D. Lighton, George Marion Jr., It) (5)



1928: King Vidor, John V.A. Weaver and Joe Farnham, THE CROWD (2nd: Thea Von Harbou and Fritz Lang, Spione, followed by: Clyde Bruckman, Lew Lipton and Joe Farnham, The Cameraman; Harry Carr and Erich Von Stroheim, The Wedding March; Joseph Delteil and Carl Th. Dreyer, The Passion of Jeanne D'Arc) (5)



1929: Alfred Hitchcock and Benn Levy, BLACKMAIL (2nd: Ernest Vajda and Guy Bolton, The Love Parade, followed by: Ladislaus Vajda and Joseph Fleisler, Pandora's Box; Julien Josephson, Disraeli; Wanda Tuchock, Richard Schayer, King Vidor, Ransom Rideout, and Miriam Ainslee, Hallelujah!, Morrie Ryskind, The Cocoanuts) (6)



1930: George Abbott, Maxwell Anderson and Del Andrews, ALL QUIET ON THE WESTERN FRONT (2nd: John Monk Saunders, The Dawn Patrol, followed by: Morrie Ryskind, Animal Crackers; Horace Jackson, Holiday) (4)



1931: Thea Von Harbou and Fritz Lang, M (2nd: Charles Chaplin, City Lights, followed by: S.J. Perelman, Will B. Johnstone, and Arthur Sheekman, Monkey Business; Seaton I. Miller and Fred Niblo, Jr., The Criminal Code; Christa Winsloe and Frederick Dammann, Madchen in Uniform; Kubec Glasmon, John Bright and Harvey Thew, The Public Enemy; Rene Clair, Georges Barr, and Marcel Gillemaud, Le Million) (7)



1932: Samson Raphaelson and Grover Jones, TROUBLE IN PARADISE (2nd: Rene Fauchois, Boudu Saved From Drowning, followed by: Ben Hecht, Seaton I. Miller, John Lee Mahin, W.R. Burnett, Scarface, or: The Shame of a Nation; Vicki Baum, Grand Hotel; Clarence Aaron "Tod" Robbins, Freaks; Harry Hervey and Jules Furthman, Shanghai Express) (6)



1933: Burt Kalmar, Harry Ruby, Arthur Sheekman and Nat Perrin, DUCK SOUP (2nd: Frances Marion, Herman J. Mackiewicz and Donald Ogden Stuart, Dinner at Eight, followed by: Jean Vigo, Zero for Conduct; Ben Hecht, Design for Living; Rian James and James Seymour, 42nd Street; Norbert Jacques, Fritz Lang and Thea von Harbou, The Testament of Dr. Mabuse; Mae West, Harvey Thew and John Bright, She Done Him Wrong) (7)



1934: Albert Hackett and Frances Goodrich, THE THIN MAN (2nd: Ben Hecht and Charles McArthur, Twentieth Century, followed by: Robert Riskin, It Happened One Night; Jean Vigo, Albert Riera, and Jean Guinee, L'Atalante; Jack Cunningham, It's A Gift; William Hurlbut, Imitation of Life) (6)



1935: Charles Bennett and Ian Hay, THE 39 STEPS (2nd: William Hurlbut and John L. Balderson, The Bride of Frankenstein; W.P. Lipscomb and S.N. Behrman, A Tale of Two Cities; George S. Kaufman, Morrie Ryskind, James Kevin McGuinness, A Night at the Opera; Dudley Nichols, The Informer; Gladys Unger, John Collier, and Mortimer Offner, Sylvia Scarlett) (6)



1936: Fritz Lang, Bartlett Cormack and Norman Krasna, FURY (2nd: Charles Chaplin, Modern Times, followed by: Lillian Hellman, These Three; Morrie Myskind and Eric Hatch, My Man Godfrey; Robert Riskind and Clarence Budington Kelland, Mr. Deeds Goes to Town; Charles Kenyon and Delmer Daves, The Petrified Forest) (6)



1937: Vina Delmar, THE AWFUL TRUTH (2nd: Charles Spaak and Jean Renoir, Grand Illusion, followed by: Vina Delmar, Make Way for Tomorrow; Dorothy Parker, William A. Wellman, Robert Carson, and Alan Campbell, A Star is Born; Ben Hecht, Nothing Sacred; Robert Riskin, Lost Horizon) (6)



1938: Dudley Nichols and Hargar Wilde, BRINGING UP BABY (2nd: Sergei M. Eisenstein and Pyotr Pavlenko, Alexander Nevsky, followed by: George Bernard Shaw, Pygmalion; Sidney Gilliatt and Frank Launder, The Lady Vanishes, James Curtis, Paul Gangelin, and Derek N. Twist, They Drive by Night) (5)



1939: ORIGINAL SCREENPLAY: Sidney Buchman and Lewis R. Foster, MR. SMITH GOES TO WASHINGTON (2nd: Dudley Nichols and Ernest Haycox, Stagecoach, followed by: Jean Renoir and Carl Koch, The Rules of the Game; Charles Brackett, Billy Wilder, Walter Reisch and Melchior Lengyel, Ninochka; Marc Hellinger, Robert Rossen, Rixhard Macauley and Jerry Wald, The Roaring Twenties) (5)



ADAPTED SCREENPLAY: Sidney Howard, GONE WITH THE WIND (2nd: Anita Loos and Jane Murfin, The Women, followed by: Charles MacAuthur and Ben Hecht, Wuthering Heights; Noel Langley, Florence Ryerson, and Edgar Allen Woolf, The Wizard of Oz; Joel Sayre, Fred Guiol, Ben Hecht and Charles McArthur, Gunga Din) (5)



1940: ORIGINAL SCREENPLAY: Charles Chaplin, THE GREAT DICTATOR (2nd: Preston Sturges, The Great McGinty, followed by: W.C. Fields, The Bank Dick; Charles Bennett, Joan Harrison, James Hilton and Robert Benchley, Foreign Correspondent; Preston Sturges, Christmas in July; Tess Slesinger, Frank Davis and Vicki Baum, Dance, Girl, Dance) (6)



ADAPTED SCREENPLAY: Nunnally Johnson, THE GRAPES OF WRATH (2nd: Charles Lederer, His Girl Friday; Samson Raphelson, The Shop Around The Corner; Robert E. Sherwood, Joan Harrison, Philip MacDonald and Michael Hogan, Rebecca; Donald Ogden Stuart, The Philadelphia Story; Jerry Wald and Richard Macaulaey, They Drive By Night) (6)



1941: ORIGINAL SCREENPLAY: Orson Welles and Herman J. Mankiewicz, CITIZEN KANE (2nd: Preston Sturges, Sullivan's Travels, followed by: Charles Brackett, Billy Wilder and Thomas Monroe, Ball of Fire; Monckton Hoff and Preston Sturges, The Lady Eve; Emeric Pressberger and Rodney Ackland, 49th Parallel) (5)



ADAPTED SCREENPLAY: Henry Buchman, Harry Seagall and Seaton I. Miller, HERE COMES MR. JORDAN (2nd: John Huston, The Maltese Falcon, followed by: Lillian Hellman, The Little Foxes; Yoshikata Yoda, The 47 Ronin; Dudley Nichols, Man Hunt) (5) 



1942: ORIGINAL SCREENPLAY: Preston Sturges, THE PALM BEACH STORY (2nd: Graham Greene, John Dighton, Diana Morgan, and Angus MacPhail, Went The Day Well?, followed by: Melchior Lengyel and Edwin Justus Mayer, To Be or Not To Be; Ring Lardner and Michael Kanin, Woman of the Year; Peter Viertel, Joan Harrison and Dorothy Parker, Sabotuer) (5)



ADAPTED SCREENPLAY: Julius J. Epstein, Philip G. Epstein, and Howard Koch, CASABLANCA (2nd: Orson Welles, The Magnificent Ambersons, followed by: Charles Brackett and Billy Wilder, The Major and the Minor; Sidney Buchman, Irwin Shaw, and Dale Van Every, The Talk of the Town; Robert Pirosh and Marc Connelly, I Married a Witch) (5)



1943: ORIGINAL SCREENPLAY: Michael Powell and Emeric Pressberger, THE LIFE AND DEATH OF COLONEL BLIMP (2nd: Robert Russell, Frank Ross, Richard Flournoy and Lewis R. Foster, The More The Merrier, followed by: John Wexley, Bertold Brecht, and Fritz Lang, Hangmen Also Die; Dalton Trumbo, Chandler Sprague, David Boehm, and Frederick Hazlett Brennen, A Guy Named Joe); Charles O Neil and Dewitt Bodeen, The Seventh Victim (5)



ADAPTED SCREENPLAY: Thornton Wilder, Alma Reville and Sally Benson, SHADOW OF A DOUBT (2nd: Lamar Trotti, The Ox-Bow Incident, followed by: Carl Th. Dreyer, Poal Knudson, and Mogens Skot-Hansen, Day of Wrath; Samson Raphelson, Heaven Can Wait; Howard Estabrook, The Human Comedy) (5)



1944: ORIGINAL SCREENPLAY: John Steinbeck and Jo Swerling, LIFEBOAT (2nd: Preston Sturges, The Miracle of Morgan's Creek, followed by: Preston Sturges, Hail the Conquering Hero; Edward Doherty, Jules Schermer and Mary C. McCall Jr., The Sullivans; Lamar Trotti, Wilson) (5)



ADAPTED SCREENPLAY: Billy Wilder and Raymond Chandler, DOUBLE INDEMNITY (2nd: Jay Dratler, Betty Reinhardt, and Samuel Hoffenstein, Laura; Margaret Buell Wilder and David O. Selznick, Since You Went Away; Irving Brecher and Fred A. Finkelhoffe, Meet Me in St. Louis; Anthony Havelock-Allan, Ronald Neame and David Lean, This Happy Breed) (5)



1945: ORIGINAL SCREENPLAY: Michael Powell and Emeric Pressberger, "I KNOW WHERE I'M GOING!" (2nd: Sergio Amedei and Federico Fellini, Rome: Open City, followed by: Martin Goldsmith, Detour; Jacques Prevert, Children of Paradise; Sergei Eisenstein, Ivan the Terrible, Part One: Ivan Grozyni) (5)



ADAPTED SCREENPLAY: Noel Coward, Anthony Havelock-Allan, David Lean and Ronald Neame, BRIEF ENCOUNTER (2nd: Frank Wead, They Were Expendable, followed by: Ranald McDougall, Mildred Pierce; Tess Slesinger and Frank Davis, A Tree Grows in Brooklyn; Dudley Nichols, And Then There Were None) (5)



1946: ORIGINAL SCREENPLAY: Frances Goodrich, Albert Hackett, Jo Swerling, Philip Van Doren Stern, and Frank Capra, IT'S A WONDERFUL LIFE (2nd: Michael Powell and Emeric Pressberger, A Matter of Life and Death, followed by: Ben Hecht, Notorious; Sergio Amidei, Adolfo Franci, Cesare Giulio Viola, and Cesare Zavattini, Shoeshine; Charles Brackett and Jacques Thiery, To Each His Own) (5)



ADAPTED SCREENPLAY: David Lean, Ronald Neame, Anthony Havelock-Allan, Cecil McGivern, and Kay Walsh, GREAT EXPECTATIONS (2nd: Samuel G. Engel, Winston Miller and Sam Hellman, My Darling Clementine, followed by: Robert E. Sherwood, The Best Years of Our Lives; Anthony Veiller, John Huston, and Richard Brooks, The Killers; Sidney Gilliat and Claude Guerney, Green for Danger) (5)



1947: ORIGINAL SCREENPLAY: George Seaton and Valentine Davies, MIRACLE ON 34th STREET (2nd: Charles Chaplin and Orson Welles, Monsieur Verdoux, followed by: F.L. Green and R.C. Sherriff, Odd Man Out; Michael Powell and Emeric Pressberger, Black Narcissus; Abraham Polonsky, Body and Soul) (5)



ADAPTED SCREENPLAY: Jules Furthman, NIGHTMARE ALLEY (2nd: Geoffrey Homes, Out of the Past, followed by: John Paxton, Crossfire; Richard Murphy, Boomerang; Ben Hecht and Charles Lederer, Ride the Pink Horse) (5)



1948: ORIGINAL SCREENPLAY: Roberto Rossellini, Carlo Lizzani, Max Colpet, and Sergio Amadei, GERMANY YEAR ZERO (2nd: Albert Maltz and Malvin Wald, The Naked City, followed by: Lamar Trotti and W.R. Burnett, Yellow Sky; Preston Sturges, Unfaithfully Yours; Richard Schwizer, The Search) (5)



ADAPTED SCREENPLAY: John Huston, THE TREASURE OF THE SIERRA MADRE (2nd: Oreste Biancoli, Suso D'Amico, Vittorio De Sica, Adolfo Franci, Gherardo Gherardi, Gerardo Guerrieri, and Cezaere Zavatini, Bicycle Thieves; followed by: Graham Greene, Leslie Storm and William Templeton, The Fallen Idol; David Lean and Stanley Haynes, Oliver Twist; Borden Chase and Charles Schnee, Red River; Abraham Polonsky and Ira Wolfort, Force of Evil) (6)



1949: ORIGINAL SCREENPLAY: Graham Greene, THE THIRD MAN (2nd: Valentine Davies and Shirley Smith, It Happens Every Spring, followed by: T.E.B. Clarke, Passport to Pimlico; Ivan Goff and Ben Roberts, White Heat; Ryuzo Kikushima and Akira Kurosawa, Stray Dog; Carl Foreman and Ring Lardner, Champion) (6)



ADAPTED SCREENPLAY: Robert Hamer and John Dighton, KIND HEARTS AND CORONETS (2nd: Ruth Goetz and Augustus Goetz, The Heiress, followed by; Art Cohn, The Set-Up; Kogo Noda and Yasujiro Ozu, Late Spring; Joseph L. Mankiewicz and Vera Caspery, A Letter to Three Wives; Compton Mackenzie and Angus McPhail, Whisky Galore) (6)



1950: ORIGINAL SCREENPLAY: Charles Brackett, Billy Wilder, and D.M. Marshman, Jr., SUNSET BLVD. (won for Best Story and Screenplay) (2nd: Robert L. Richards, Borden Chase, and Stuart N. Lake, Winchester '73, followed by: Joseph L. Mankiewicz, All About Eve (won as Best Screenplay) Luis Alcoriza and Luis Bunuel, Los Olvidados; Edna Anhalt, Edward Anhalt, Daniel Fuchs and Richard Murphy, Panic in the Streets) (won as Best Motion Picture Story) (5)



ADAPTED SCREENPLAY: Akira Kurosawa and Shinobu Hashimoto, RASHOMON (2nd: Ben Maddow and John Huston, The Asphalt Jungle, followed by: Edmund H. North and Andrew Solt, In a Lonely Place; Jacques Natanson and Max Ophuls, La Ronde; Dalton Trumbo and MacKinlay Kantor, Gun Crazy) (5)



1951: ORIGINAL SCREENPLAY: Billy Wilder, Lesser Samuels, and Walter Newman, ACE IN THE HOLE (2nd: T.E.B. Clarke, The Lavender Hill Mob (won Best Story and Screenplay in 1952), followed by: Kogu Noda and Yasujiro Ozu, Early Summer; George Worthington Yates, Art Cohn and Daniel Mainwaring, The Tall Target; John Paxton and Joel Sayre, Fourteen Hours) (5)



ADAPTED SCREENPLAY: Tennessee Williams and Oscar Saul, A STREETCAR NAMED DESIRE (2nd: James Agee and John Huston, The African Queen, followed by: Raymond Chandler, Czenzi Ormonde, and Whitfield Cook, Strangers on a Train; Michael Wilson and Harry Brown, A Place in the Sun; Roger MacDougall, John Dighton, and Alexander Mackendrick, The Man in the White Suit) (5)



1952: 
ORIGINAL SCREENPLAY: Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni, IKIRU (2nd: Cesare Zavattini, Umberto D., followed by: Adolph Green and Betty Comden, Singin' in the Rain; Charles Schnee and George Bradshaw, The Bad and the Beautiful; Ruth Gordon and Garson Kanin, Pat and Mike) (5)



ADAPTED SCREENPLAY: Carl Foreman, HIGH NOON (2nd: Jean Aurenche, Pierre Bost, and Francois Boyer, Forbidden Games, followed by: Borden Chase, Bend of the River; Frank S. Nugent, The Quiet Man; Michael Wilson, Five Fingers) (5)



1953: ORIGINAL SCREENPLAY: Sam Rolfe and Harold Jack Bloom, THE NAKED SPUR (2nd: Kogo Noda and Yasujiro Ozu, Tokyo Story, followed by: Federico Fellini, Ennio Flaiano, and Tullio Panelli, I Vitelloni; Morris Engel, Ray Ashley and Ruth Orkin, The Little Fugitive; Adolph Green and Betty Comden, The Band Wagon) (5)



ADAPTED SCREENPLAY: Marcel Auchard, Max Ophuls, Annette Wademant, and Marcel Achard, MADAME D... (2nd: A.B. Guthrie Jr. and Jack Sher, Shane, followed by: Henri-Georges Cluzot and Jerome Geronimi, The Wages of Fear; Sydney Boehm, The Big Heat; Daniel Taradash, From Here to Eternity) (5)



1954: ORIGINAL SCREENPLAY: Akira Kurosawa, Shinobu Hashimoto and Hideo Oguni, THE SEVEN SAMURAI (2nd: Federico Fellini, Tullio Pinelli, and Ennio Flaiano, La Strada, followed by: Michael Wilson, Salt of the Earth; Borden Chase, The Far Country; Richard Sale, Suddenly) (5)



ADAPTED SCREENPLAY: Budd Schulberg, ON THE WATERFRONT (2nd: John Michael Hayes, Rear Window, followed by: Ernest Lehman, Executive Suite; Millard Kaufman and Don McGuire, Bad Day at Black Rock; Fuji Yahiro and Yoshikata Yoda, Sansho the Baliff; Stanley Roberts and Michael Blankfort, The Caine Mutiny) (6)



1955: ORIGINAL SCREENPLAY: William Rose, THE LADYKILLERS (2nd: Nicholas Ray, Stewart Stern and Irving Shulman, Rebel Without a Cause, followed by: Ingmar Bergman, Smiles of a Summer Night; Philip Yordan, The Big Combo; Peg Fenwick, Edna L. Lee and Harry Lee, All That Heaven Allows; Craine Wilbur and Daniel Mainwaring, The Phenix City Story) (6)



ADAPTED SCREENPLAY: James Agee, THE NIGHT OF THE HUNTER (2nd: A.I. Bezzerides, Kiss Me Deadly, followed by: Paddy Chayefsky, Marty; Renee Wheeler, Auguste Le Breton, and Jules Dassin, Rififi; Henri-Georges Clouzot, Jerome Geromini, Rene Masson and Frederic Gredel, Les Diaboliques; Paul Osborn, East of Eden; Philip Yordan and Frank Burt, The Man from Laramie) (7)



1956: ORIGINAL SCREENPLAY: Maxwell Anderson and Angus MacPhail, THE WRONG MAN (2nd: Jean-Pierre Melville and Auguste Le Bretton, Bob le Flambuer, followed by: Rod Serling, Patterns; Bernard C. Schoenfeld and Ursala Parrott, There's Always Tomorrow; Burt Kennedy, Seven Men From Now) (5)



ADAPTED SCREENPLAY: Stanley Kubrick and Jim Thompson, THE KILLING (2nd: Daniel Mainwaring, Invasion of the Body Snatchers, followed by: Robert Bresson, A Man Escaped; Fred Guiol and Ivan Moffat, Giant; Frank S. Nugent, The Searchers) (5)



1957: ORIGINAL SCREENPLAY: Ingmar Bergman, THE SEVENTH SEAL (2nd: Ingmar Bergman, Wild Strawberries, followed by: Budd Schulberg, A Face in the Crowd; Jerry Stefan Stawinski, Kanal; Joel Kane, Dudley Nichols, and Barney Slater, The Tin Star; John Lee Mahin and John Huston, Heaven Knows, Mr. Allison) (6)



ADAPTED SCREENPLAY: Clifford Odets and Ernest Lehman, SWEET SMELL OF SUCCESS (2nd: Stanley Kubrick, Calder Willingham and Jim Thompson, Paths of Glory, followed by: Reginald Rose, 12 Angry Men; Michael Wilson and Carl Foreman, The Bridge on the River Kwai; Federico Fellini, Ennio Flaiano, Tullio Pinelli, and Pier Paulo Pasolini, Nights of Cabiria; Burt Kennedy, The Tall T) (6)



1958: ORIGINAL SCREENPLAY: Jacques Tati, Jacques Lagrange, and Jean L'Hote, MON ONCLE (2nd: Nedric Young and Harold Jacob Smith, The Defiant Ones, followed by: Ryuzo Kikushima, Hideo Oguni, Shinobu Hashimoto, and Akira Kurosawa, The Hidden Fortress; Louis Garfinkle, I Bury the Living; Ingmar Bergman, The Magician) (5)



ADAPTED SCREENPLAY: Orson Welles, TOUCH OF EVIL (2nd: Alec Coppel and Samuel A. Taylor, Vertigo, followed by: Alec Guinness, The Horse's Mouth; Jerzy Andrzejewski and Andrzej Wajda, Ashes and Diamonds; Agenore Incrocci, Furio Scarpelli, Suso Cecchi D'Amico, and Mario Monicelli, Big Deal on Madonna Street) (5)



1959: ORIGINAL SCREENPLAY: Francois Truffaut and Marcel Moussy, THE 400 BLOWS (2nd: Marguerite Duras, Hiroshima Mon Amour, followed by: John Cassavetes, Shadows; Robert Bresson, Pickpocket; Sergio Amidei, Diego Fabbri, and Indro Montanelli, General Della Rovere) (5)



ADAPTED SCREENPLAY: Billy Wilder and I.A.L. Diamond, SOME LIKE IT HOT (2nd: Ernest Lehman, North by Northwest, followed by: Wendell Mayes, Anatomy of a Murder; Jules Furthman and Leigh Brackett, Rio Bravo; Frances Goodrich and Albert Hackett, The Diary of Anne Frank) (5)



1960: ORIGINAL SCREENPLAY: Ulla Isaksson, THE VIRGIN SPRING (2nd: Michelangelo Antonioni, Elio Bartolini, and Tonino Guerra, L'Avventura, followed by: Federico Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi, La Dolce Vita; Marguerite Duras, Hiroshima Mon Amour; Francois Truffaut, Breathless) (5)



ADAPTED SCREENPLAY: Francois Truffaut and Marcel Moussy, SHOOT THE PIANO PLAYER (2nd: Rene Clement and Paul Gegauff, Purple Noon, followed by: Joseph Stefano, Psycho; Nedric Young and Harold Jacob Smith, Inherit the Wind; Bryan Forbes, The League of Gentlemen) (5)



1961: ORIGINAL SCREENPLAY: William Inge, SPLENDOR IN THE GRASS (2nd: Ingmar Bergman, Through a Glass, Darkly, followed by: Alain-Robbe Grillet, Last Year at Marienbad; Akira Kurosawa and Ryuzo Kikushima, Yojimbo; Ennio De Concini, Pietro Germi, and Alfredo Giannetti, Divorce Italian Style) (5)



ADAPTED SCREENPLAY: Abby Mann, JUDGMENT AT NUREMBERG (2nd: Truman Capote and William Archibald, The Innocents, followed by: Sidney Carroll and Robert Rossen, The Hustler; Ernest Lehman, West Side Story; Billy Wilder and I.A.L. Diamond, One, Two, Three) (5)



1962: ORIGINAL SCREENPLAY: N.B. Stone Jr., RIDE THE HIGH COUNTRY (2nd: Roman Polanski, Jerzy Skolimowski, and Jakub Goldberg, Knife in the Water, followed by: Agnes Varda, Cleo from 5 to 7; J.P. Miller, Days of Wine and Roses; Michelangelo Antonioni, Tonino Guerra, Elio Bartolini, and Ottiero Otterei, L'Eclisse) (5)



ADAPTED SCREENPLAY: Horton Foote, TO KILL A MOCKINGBIRD (2nd: Robert Bolt, Lawrence of Arabia, followed by: Luis Bunuel, The Exterminating Angel; James Gordon Bellah and Willis Goldbeck, The Man Who Shot Liberty Valance; Eleanor Perry, David and Lisa) (5)



1963: ORIGINAL SCREENPLAY: Federico Fellini, Ennio Flaiano, Tulio Pinelli and Brunello Rondi, 8 ½ (2nd: Samuel Fuller, Shock Corridor, followed by: Ingmar Bergman, Winter Light; Eleanor Perry and Lois Dickert, Ladybug Ladybug; Elia Kazan, America, America) (5)



ADAPTED SCREENPLAY: Irving Ravetch and Harriett Frank Jr., HUD (2nd: Akira Kurosawa, Hideo Oguni, Ryuzo Kikushima and Eijiro Hisaita, High and Low, followed by: Harold Pinter, The Servant; David Storey, This Sporting Life; Keith Waterhouse and Willis Hall, Billy Liar) (5)



1964: ORIGINAL SCREENPLAY: Alan Owen, A HARD DAY'S NIGHT (2nd: Peter Watkins, Culloden, followed by: Jacques Demy, The Umbrellas of Cherbourg; Michael Roemer and Robert M. Young, Nothing But a Man; Kobo Abe and Eiko Yoshida, Woman in the Dunes) (5)



ADAPTED SCREENPLAY: Stanley Kubrick, Terry Southern, and Peter George, DR. STRANGELOVE, OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (2nd: Pier Paolo Pasolini, The Gospel According to St. Matthew, followed by: Edward Anhalt, Becket; Franklin Coen and Frank Davis, The Train; Gore Vidal, The Best Man) (5)




1965: ORIGINAL SCREENPLAY: Ladislav Grosman, THE SHOP ON MAIN STREET (2nd: Jean-Luc Godard, Pierrot le Fou; Roman Polanski, Gerard Brach, and David Stone, Repulsion; Milos Forman, Jaroslav Papousek, Ivan Passer, and Vaclav Sasek, Loves of a Blonde; Jean-Luc Godard, Alphaville) (5)



ADAPTED SCREENPLAY:  Ray Rigby, THE HILL (2nd: Terry Southern and Christopher Isherwood, The Loved One, followed by: James Poe, The Bedford Incident; Robert Bolt, Doctor Zhivago; Charles Wood, The Knack, and How to Get It) (5)



1966: ORIGINAL SCREENPLAY: Robert Bresson, AU HASARD, BALTHAZAR (2nd: Michelangelo Antonioni, Tonino Guarra and Edward Bond, Blow Up, followed by: Ingmar Bergman, Persona; Franco Solinas and Gillo Pontecorvo, The Battle of Algiers; Sergio Leone, Luciano Vincenzoni, Agenore Incrocci. Furio Scarpelli, and Mickey Knox, The Good, the Bad and the Ugly) (5)



ADAPTED SCREENPLAY: Robert Bolt, A MAN FOR ALL SEASONS (2nd: Ernest Lehman, Who's Afraid of Virginia Woolf?, followed by: Bohumil Hrabal and Jiri Menzel, Closely Watched Trains; Lewis John Carlino, Seconds; Larry H. Johnson and George Axelrod, Lord Love a Duck) (5)



1967: ORIGINAL SCREENPLAY: David Newman and Robert Benton, BONNIE AND CLYDE (2nd: Frederic Raphael, Two for the Road, followed by: Nigel Kneale, Quatermass and the Pit (aka Five Million Years to Earth); Peter Cook and Dudley Moore, Bedazzled; Sterling Silliphant, In The Heat of the Night) (5)



ADAPTED SCREENPLAY: Buck Henry and Calder Willingham, THE GRADUATE (2nd: Richard Brooks, In Cold Blood, followed by: Luis Bunuel and Jean-Claude Carriere, Belle Du Jour; Alexander Jacobs, David Newhouse, and Rafe Newhouse, Point Blank; Donn Pierce and Frank Pierson, Cool Hand Luke) (5)



1968: ORIGINAL SCREENPLAY: Sergio Leone, Sergio Donati, Dario Argento and Bernardo Bertolucci, ONCE UPON A TIME IN THE WEST (2nd: Mel Brooks, The Producers, followed by: John Cassavetes, Faces; Ousmane Sembene, Mandabi; Peter Bogdanovich and Polly Platt, Targets) (5)



ADAPTED SCREENPLAY: Stanley Kubrick and Arthur C. Clarke, 2001: A SPACE ODYSSEY (2nd: Roman Polanski, Rosemary's Baby, followed by: James Goldman, The Lion in Winter; Sergei Bondarchuk and Vasily Solovyov, War and Peace; Lawrence B. Marcus and Barbara Turner, Petulia) (5)



1969: ORIGINAL SCREENPLAY: William Goldman, BUTCH CASSIDY AND THE SUNDANCE KID (2nd: Sam Peckinpah and Walon Green, The Wild Bunch, followed by: Eric Rohmer, My Night With Maud; Paul Mazursky and Larry Tucker, Bob and Carol and Ted and Alice; Francis Ford Coppola, The Rain People) (5)



ADAPTED SCREENPLAY: Waldo Salt, MIDNIGHT COWBOY (2nd: Jorge Semprun, Z, followed by: Ken Loach, Barry Hines, and Tony Bartlett, Kes; James Poe and Robert E. Thompson, They Shoot Horses, Don't They?; Claude Chabrol and Paul Gegauff, This Man Must Die) (5)



1970: ORIGINAL SCREENPLAY: Carol Eastman and Bob Rafelson, FIVE EASY PIECES (2nd: Francis Ford Coppola and Edmund H. North, Patton, followed by: Eric Rohmer, Claire's Knee; John Cassavetes, Husbands; Norman Wexler, Joe) (5)



ADAPTED SCREENPLAY: Bernardo Bertolucci, THE CONFORMIST (2nd: Ring Lardner Jr., M*A*S*H, followed by: Vittorio Bonicelli and Ugo Pierro, The Garden of the Finzi Continis; Elio Petri and Ugo Perro, Investigation of a Citizen Under Suspicion; Renee Taylor, Joseph Bologna, and David Zelag Goodman, Lovers and Other Strangers) (5)



1971: ORIGINAL SCREENPLAY: Peter Watkins, PUNISHMENT PARK (2nd: Paddy Chayefsky, The Hospital, followed by: Penelope Gilliatt, Sunday, Bloody Sunday; Andy and Dave Lewis, Klute; Rudy Wurlitzer and Will Corry, Two-Lane Blacktop) (5)



ADAPTED SCREENPLAY: Peter Bogdanovich and Larry McMurtry, THE LAST PICTURE SHOW (2nd: Stanley Kubrick, A Clockwork Orange, followed by: Robert Altman and Brian McCay, McCabe and Mrs. Miller; Ernest Tidyman, The French Connection; Joseph Stein, Fiddler on the Roof) (5)



1972: ORIGINAL SCREENPLAY: Ingmar Bergman, CRIES AND WHISPERS (2nd: Luis Bunuel and Jean-Claude Carriere, The Discreet Charm of the Bourgeoisie, followed by: Jeremy Larner, The Candidate; Werner Herzog, Aguirre, The Wrath of God; Peter Bogdanovich, Buck Henry, David Newman and Robert Benton, What’s Up, Doc?) (5)



ADAPTED SCREENPLAY:  Francis Ford Coppola and Mario Puzo, THE GODFATHER (2nd: Jay Presson Allen, Cabaret, followed by: Neil Simon, The Heartbreak Kid; James Dickey, Deliverance; Horton Foote, Tomorrow) (5)



1973: ORIGINAL SCREENPLAY: George Lucas, Gloria Katz and Willard Huyck, AMERICAN GRAFFITI (2nd: David S. Ward, The Sting, followed by: Ingmar Bergman, Scenes from a Marriage; Martin Scorsese and Mardik Martin, Mean Streets; Robert Boris and Rupert Hitzig, Electra Glide in Blue) (5)



ADAPTED SCREENPLAY: William Peter Blatty, THE EXORCIST (2nd: Alvin Sargent, Paper Moon, followed by: David Sherwin and Malcolm McDowell, O Lucky Man!; Leigh Brackett, The Long Goodbye; Kenneth Ross, The Day of the Jackal) (5)



1974: ORIGINAL SCREENPLAY: Robert Towne, CHINATOWN (2nd: Francis Ford Coppola, The Conversation, followed by John Cassavetes, A Woman Under the Influence; Paul Mazursky and Josh Greenfield, Harry and Tonto; Mel Brooks, Andrew Bergman, Norman Steinberg, Richard Pryor and Alan Uger, Blazing Saddles) (5)



ADAPTED SCREENPLAY: Francis Ford Coppola and Mario Puzo, THE GODFATHER PART II (2nd: David Giler and Lorenzo Semple Jr., The Parallax View, followed by: Mel Brooks and Gene Wilder, Young Frankenstein; Peter Stone, The Taking of Pelham One Two Three; Frederic Raphael, Daisy Miller) (5)



1975: ORIGINAL SCREENPLAY: Frank Pierson, DOG DAY AFTERNOON (2nd: Lina Wertmuller, Seven Beauties, followed by: Joan Tewkesbury, Nashville; Alan Sharp, Night Moves; Robert Towne and Warren Beatty, Shampoo) (5)



ADAPTED SCREENPLAY: Lawrence Hauben and Bo Goldman, ONE FLEW OVER THE CUCKOO'S NEST (2nd: Stanley Kubrick, Barry Lyndon, followed by: Waldo Salt, The Day of the Locust; Terry Jones, Graham Chapman, John Cleese, Michael Palin, Terry Gilliam and Eric Idle, Monty Python and The Holy Grail; John Huston and Gladys Hill, The Man Who Would Be King) (5)



1976: ORIGINAL SCREENPLAY: Paddy Chayefsky, NETWORK (2nd: Paul Schrader, Taxi Driver, followed by: Walter Bernstein, The Front; Bill Lancaster, The Bad News Bears; Alan Parker, Bugsy Malone) (5)



ADAPTED SCREENPLAY: William Goldman, ALL THE PRESIDENT’S MEN (2nd: Robert Getchell, Bound for Glory; Stewart Stern, Sybil; Philip Kaufman and Sonia Chernus, The Outlaw Josey Wales; Nicholas Meyer, The Seven Per-Cent Solution) (5)



1977: ORIGINAL SCREENPLAY: Woody Allen and Marshall Brickman, ANNIE HALL (2nd: Steven Spielberg, Close Encounters of the Third Kind, followed by: Mike Leigh, Abigail's Party; Robert Benton, The Late Show; Nancy Dowd, Slap Shot) (5)



ADAPTED SCREENPLAY: Larry Gelbart, OH, GOD! (2nd: Luis Bunuel and Jean-Claude Carriere, That Obscure Object of Desire, followed by: Paolo and Vittorio Taviani, Padre Padrone; Richard Brooks, Looking for Mr. Goodbar; Norman Wexler, Saturday Night Fever) (5)



1978: ORIGINAL SCREENPLAY: Michael Cimino, Derek Washburn, Quinn Redeker and Louis Garfinkle, THE DEER HUNTER (2nd: Paul Schrader and Leonard Schrader, Blue Collar, followed by: Paul Mazursky, An Unmarried Woman; Woody Allen, Interiors; Jerry Belson, The End) (5)



ADAPTED SCREENPLAY: Alvin Sargent, Edward Bunker and Jeffery Boam, STRAIGHT TIME (2nd: Judith Rascoe and Robert Stone, Who'll Stop the Rain?, followed by: Alexander Jacobs and Arthur Miller, An Enemy of the People; Curtis Hanson, The Silent Partner; Oliver Stone, Midnight Express) (5)



1979: ORIGINAL SCREENPLAY: Steve Tesich, BREAKING AWAY (2nd: Woody Allen and Marshall Brickman, Manhattan, followed by: Bob Fosse and Robert Alan Aurthur, All That Jazz; Edward Cannon and Martin Brest, Going in Style; Charles S. Haas and Tim Hunter, Over the Edge; Irving Ravetch and Harriet Frank Jr., Norma Rae) (6)



ADAPTED SCREENPLAY: Allen Burns, A LITTLE ROMANCE (2nd: Jean Claude Carriere, Volker Schlondorff, Franz Seitz and Gunter Grass, The Tin Drum, followed by: Francis Ford Coppola, John Milius and Michael Herr, Apocalypse Now; Robert Benton, Kramer Vs. Kramer; Joseph Wambaugh, The Onion Field; Aleksandr Adabashyan and Nikita Mikhalov, Oblomov) (6)



1980: ORIGINAL SCREENPLAY: Robert Zemeckis and Bob Gale, USED CARS (2nd: Bill Bryden, Steven Smith, Stacy Keach and James Keach, The Long Riders, followed by: Bo Goldman, Melvin and Howard; Jim Abrahams, David Zucker and Jerry Zucker, Airplane!; John Sayles, Return of the Secaucus Seven) (5)



ADAPTED SCREENPLAY: Paul Schrader and Mardik Martin, RAGING BULL (2nd: Alvin Sargent, Ordinary Peoplefollowed by: Christopher DeVore, Eric Bergen and David Lynch, The Elephant Man; Jonathan Hardy, David Stevens and Bruce Beresford, Breaker Morant; Valerie Curtin and Barry Levinson, Inside Moves) (5)



1981: ORIGINAL SCREENPLAY: Albert Brooks and Monica Johnson, MODERN ROMANCE (2nd: Steve Gordon, Arthur, followed by Lawrence Kasdan, Body Heat; Warren Beatty and Trevor Griffiths, Reds; Bill Forsyth, Gregory’s Girl; Andre Gregory and Wallace Shawn, My Dinner with Andre) (5)



ADAPTED SCREENPLAY: Jay Presson Allen and Sidney Lumet, PRINCE OF THE CITY (2nd: Jeffery Alan Fiskin, Cutter’s Way, followed by: Wolfgang Petersen, Das Boot; Dennis Potter, Pennies From Heaven; Michael Mann, Thief; Michael Weller, Ragtime) (6)



1982: ORIGINAL SCREENPLAY: Ingmar Bergman, FANNY AND ALEXANDER (2nd: Barry Levinson, Diner, followed by: Larry Gelbart, Murray Schisgal, and Don McGuire, Tootsie; Bo Goldman, Shoot the Moon; Melissa Mathison, E.T. The Extraterrestrial; John Briley, Gandhi; Barry Levinson and Valerie Curtin, Best Friends) (7)



ADAPTED SCREENPLAY: Costa-Gavras and Donald Stewart, MISSING (2nd: Alan J. Pakula, Sophie's Choice, followed by: Norman Mailer, The Executioner’s Song; Joan Micklin Silver, Chilly Scenes of Winter; David Mamet, The Verdict; Hampton Fancher and David Webb Peoples, Blade Runner; Cameron Crowe, Fast Times at Ridgemont High) (7)



1983: ORIGINAL SCREENPLAY: Paul D. Zimmerman, THE KING OF COMEDY (2nd: Bill Forsyth, Local Hero, followed by: Horton Foote, Tender Mercies; Woody Allen, Zelig; John Sayles, Lianna; Terry Jones, Terry Gilliam, Graham Chapman, John Cleese, Michael Palin and Eric Idle, Monty Python’s The Meaning of Life) (6)



ADAPTED SCREENPLAY: Philip Kaufman, THE RIGHT STUFF (2nd: Diane Kurys and Alain Le Henry, Entre Nous, followed by: Ronald Harwood, The Dresser; Harold Pinter, Betrayal; James L. Brooks, Terms of EndearmentNora Ephron and Alice Arlen, Silkwood) (6)



1984: ORIGINAL SCREENPLAY: Michael McKean, Christopher Guest, Harry Shearer and Rob Reiner, THIS IS SPINAL TAP (2nd: Woody Allen, Broadway Danny Rose, followed by: Joel Coen and Ethan Coen, Blood SimpleRobert Benton, Places in the Heart; Barry Hines, ThreadsJim Jarmusch, Stranger Than Paradise) (6)



ADAPTED SCREENPLAY: Bruce Robinson, THE KILLING FIELDS (2nd: David Lean, A Passage to India, followed by: Peter Schaffer, Amadeus; Henry Olek and Phil Alden Robinson, All of Me; Bertrand Tavernier and Colo Tavernier, A Sunday in the Country; Guy Gallo, Under the Volcano) (6)



1985: ORIGINAL SCREENPLAY: Terry Gilliam, Tom Stoppard and Charles McKeown, BRAZIL (2nd: Albert Brooks and Monica Johnson, Lost in America, followed by: Woody Allen, The Purple Rose of Cairo; Luis Puenzo and Aida Bortnik, The Official Story; Joseph Minion, After Hours) (5)



ADAPTED SCREENPLAY: Richard Condon and Janet Roach, PRIZZI'S HONOR (2nd: Akira Kurosawa, Hideo Oguni and Masato Ide, Ran, followed by: Ruth Prawer Jhabvala, A Room With a View (won in 1986)Lasse Hallstrom, Reidar Jonsson, Brasse Branstrom and Per Berglund, My Life as a Dog; William Friedkin and Gerald Petievich, To Live and Die in L.A.) (5)



1986: ORIGINAL SCREENPLAY: Woody Allen, HANNAH AND HER SISTERS (2nd: David Lynch, Blue Velvet, followed by: Eric Rohmer, The Green Ray (aka Summer); Oliver Stone and Richard Boyle, Salvador; John Hughes, Ferris Bueller's Day Off) (5)



ADAPTED SCREENPLAY: Claude Berri and Gerard Brach, JEAN DE FLORETTE/MANON OF THE SPRING (2nd: Richard Price, The Color of Money, followed by: Charles Edward Pogue and David Cronenberg, The Fly; Raynold Gideon and Bruce A. Evans, Stand By Me; Paul Schrader, The Mosquito Coast) (5)



1987: ORIGINAL SCREENPLAY: John Sayles, MATEWAN (2nd: James L. Brooks, Broadcast News, followed by: Wim Wenders and Peter Handke, Wings of Desire; Louis Malle, Au Revoir, Les EnfantsJohn Patrick Shanley, Moonstruck) (5)



ADAPTED SCREENPLAY: Tony Huston, THE DEAD (2nd: Stanley Kubrick, Michael Herr and Gustav Hasford, Full Metal Jacket, followed by: William Goldman, The Princess Bride; Tom Stoppard, Empire of the Sun; William Nicholson, Ironweed) (5)



1988: ORIGINAL SCREENPLAY: Giuseppe Tornatore, CINEMA PARADISO (2nd: John Cleese and Charles Crichton, A Fish Called Wanda, followed by: Mike Leigh, High Hopes; Ron Shelton, Bull Durham; Terrence Davies, Distant Voices, Still Lives) (5)



ADAPTED SCREENPLAY: Philip Kaufman and Jean-Claude Carriere, THE UNBEARABLE LIGHTNESS OF BEING (2nd: Christopher Hampton, Dangerous Liasonsfollowed by: George Sluzier and Tim Crabbe, The Vanishing; Paul Schrader, The Last Temptation of Christ; John Carpenter, They Live) (5)



1989: ORIGINAL SCREENPLAY: Spike Lee, DO THE RIGHT THING (2nd: Woody Allen, Crimes and Misdemeanors, followed by: Steven Soderburgh, Sex, Lies and Videotape; Jim Jarmusch, Mystery Train; Lowell Ganz and Babaloo Mandel, Parenthood) (5)



ADAPTED SCREENPLAY: Gus Van Sant and Daniel Yost, DRUGSTORE COWBOY (2nd: Phil Alden Robinson, Field of Dreams, followed by: Shane Connaughton and Jim Sheridan, My Left Foot; Oliver Stone and Ron Kovic, Born on the Forth of July; Nancy Dowd, Let It Ride) (5)



1990: ORIGINAL SCREENPLAY: Mike Leigh, LIFE IS SWEET (2nd: Joel Coen and Ethan Coen, Miller’s Crossing, followed by: Sally Bochner, Gloria Demers, Cynthia Scott and David Wilson, Strangers in Good Company; Bernt Capra, Fritjof Capra and Floyd Byers, Mindwalk; Andrew Bergman, The Freshman) (5)



ADAPTED SCREENPLAY: Nicholas Pileggi and Martin Scorsese, GOODFELLAS (2nd: Agnieszka Holland and Paul Hengge, Europa Europa, followed by: Donald E. Westlake, The Grifters; Ruth Prawer Jhabvala, Mr. and Mrs. Bridge; Peter Viertel, James Bridges and Burt Kennedy, White Hunter, Black Heart) (5)



1991: ORIGINAL SCREENPLAY: Michael Tolkin, THE RAPTURE (2nd: Joel Coen and Ethan Coen, Barton Fink, followed by: Albert Brooks, Defending Your Life; Krzysztof Kieslowski and Krzysztof Piesiewicz, The Double Life of VeroniqueCallie Khouri, Thelma and Louise) (5)



ADAPTED SCREENPLAY: Ted Tally, THE SILENCE OF THE LAMBS (2nd: Dick Clement, Ian La Frenais and Roddy Doyle, The Commitments, followed by: James Toback, Bugsy; Ni Zhen, Raise the Red Lantern; Oliver Stone and Zachary Sklar, JFK) (5)



1992: ORIGINAL SCREENPLAY: David Webb Peoples, UNFORGIVEN (2nd: Neil Jordan, The Crying Game, followed by: Terrence Davies, The Long Day Closes; Quentin Tarantino, Reservoir Dogs; John Sayles, Passion Fish) (5)



ADAPTED SCREENPLAY: Ruth Prawer Jhabvala, HOWARDS END (2nd: David Mamet, Glengarry Glen Ross, followed by: Michael Tolkin, The Player; Keith Gordon, A Midnight Clear; Horton Foote, Of Mice and Men) (5)



1993: ORIGINAL SCREENPLAY: Harold Ramis and Danny Rubin, GROUNDHOG DAY (2nd: Mike Leigh, Naked, followed by: Krzysztof Kieslowski and Krzysztof Piesiewicz, Three Colors: BlueJane Campion, The PianoQuentin Tarantino, True Romance) (5)



ADAPTED SCREENPLAY: Ruth Prawer Jhabvala, THE REMAINS OF THE DAY (2nd: Robert Altman and Frank Barhydt, Short Cuts, followed by: Martin Scorsese and Jay Cocks, The Age of InnocenceSteven Zallian, Schindler’s ListSteven Soderburgh, King of the Hill) (5)



1994: ORIGINAL SCREENPLAY: Quentin Tarantino and Roger Avery, PULP FICTION (2nd: Scott Alexander and Larry Karaszewski, Ed Wood, followed by: Krzysztof Kieslowski and Krzysztof Piesiewicz, Three Colors: Red; Wei Lu and Hua Yu, To Live; Peter Jackson and Fran Walsh, Heavenly Creatures) (5)



ADAPTED SCREENPLAY: Frank Darabont, THE SHAWSHANK REDEMPTION (2nd: Alan Bennett, The Madness of King George, followed by: Robin Swicord, Little Women; Anna Pavignano, Michael Radford, Furio Scarpelli, Giacomo Scarpelli and Massimo Troisi, Il Postino; Paul Attanasio, Quiz Show) (5)



1995: ORIGINAL SCREENPLAY: John Lasseter, Pete Docter, Andrew Stanton, Joe Ranft, Joss Whedon, Joel Cohen, and Alec Sokolow, TOY STORY (2nd: Andrew Kevin Walker, Seven, followed by: Amy Heckerling, Clueless; Michael Mann, Heat; Richard Linklater and Kim Krizan, Before Sunrise) (5)



ADAPTED SCREENPLAY: George Miller and Chris Noonan, BABE (2nd: Claude Chabrol, La Ceremonie, followed by: Martin Scorsese and Nicholas Pileggi, Casino; Mike Figgis, Leaving Las VegasEmma Thompson, Sense and Sensibility) (5)



1996: ORIGINAL SCREENPLAY: Joel Coen and Ethan Coen, FARGO (2nd: Alexander Payne and Jim Taylor, Citizen Ruth, followed by: John Sayles, Lone Star; Mike Leigh, Secrets and Lies; Lars Von Trier and Peter Asmussen, Breaking the Waves) (5)



ADAPTED SCREENPLAY: Billy Bob Thornton, SLING BLADE (2nd: John Hodge, Trainspotting, followed by: Owen Wilson and Wes Anderson, Bottle Rocket; Anne Meredith, Bastard Out of Carolina; Anthony Minghella, The English Patient) (5)



1997: ORIGINAL SCREENPLAY: Matt Damon and Ben Affleck, GOOD WILL HUNTING (2nd: Victor Nunez, Ulee’s Gold, followed by: Michael Haneke, Funny Games; Kasi Lemmons, Eve’s Bayou; Paul Thomas Anderson, Boogie Nights) (5)


ADAPTED SCREENPLAY: Curtis Hanson and Brian Helgeland, L.A. CONFIDENTIAL (2nd: Atom Egoyan, The Sweet Hereafter, followed by: James Schamus, The Ice Storm; Quentin Tarantino, Jackie Brown; Paul Attansio, Donnie Brasco) (5)


1998: ORIGINAL SCREENPLAY: Thomas Vinterberg and Mogens Rutov, THE CELEBRATION (2nd: Joel Coen and Ethan Coen, The Big Lebowski, followed by: Wes Anderson and Owen Wilson, Rushmore; Andrew Niccol, The Truman ShowMarc Norman and Tom Stoppard, Shakespeare in Love) (5)


ADAPTED SCREENPLAY: Scott B. Smith, A SIMPLE PLAN (2nd: Scott Frank, Out of Sight, followed by: James Ivory and Ruth Prawer Jhabvala, A Soldier's Daughter Never Cries; Elaine May, Primary Colors;Terrence Malick, The Thin Red Line) (5)


1999: ORIGINAL SCREENPLAY: Paul Thomas Anderson, MAGNOLIA (2nd: Mike Leigh, Topsy-Turvy, followed by: Charlie Kaufman, Being John Malkovich; John Ridley and David O. Russell, Three Kings; Pedro Almodovar, All About My Mother; David Howard and Robert Gordon, Galaxy QuestAlan Ball, American Beauty; John Roach and Mary Sweeney, The Straight Story; John Sayles, Limbo; Steve Martin, Bowfinger) (10)


ADAPTED SCREENPLAY: Alexander Payne and Jim Taylor, ELECTION (2nd: Mike Judge, Office Space, followed by: Eric Roth and Michael Mann, The Insider; Anthony Minghella, The Talented Mr. Ripley; Tim McCanlies and Brad Bird, The Iron Giant; Jim Uhls, Fight Club; John Lasseter, Pete Docter, Ash Brannon, Andrew Stanton, Rita Hsiao, Doug Chamberlin and Chris Webb, Toy Story 2; Stanley Kubrick and Frederic Raphael, Eyes Wide Shut; Matt Stone and Trey Parker, South Park: Bigger, Longer and UncutJohn Irving, The Cider House Rules) (10)


2000: ORIGINAL SCREENPLAY: Kenneth Lonergan, YOU CAN COUNT ON ME (2nd: Christopher Nolan and Jonathan Nolan, Memento, followed by: Guillermo Arriaga, Amores Perros; Edward Yang, A One and a Two (aka Yi Yi); M. Night Shyamalan, Unbreakable) (5)



ADAPTED SCREENPLAY: Terrence Davies, THE HOUSE OF MIRTH (2nd: Stephen Gaghan, Traffic, followed by: Joel Coen and Ethan Coen, O Brother, Where Art Thou?; Hubert Selby Jr. and Darren Aronofsky, Requiem for a Dream; Steve Kloves, Wonder Boys) (5)



2001: ORIGINAL SCREENPLAY: Julian Fellowes, GOSFORD PARK (2nd: Richard Kelly, Donnie Darko, followed by: Loring Mandel, Conspiracy; Wes Anderson and Owen Wilson, The Royal Tenenbaums; David Lynch, Mulholland Dr.) (5)


ADAPTED SCREENPLAY: Daniel Clowes and Terry Zwigoff, GHOST WORLD (2nd: Todd Field, Robert Festinger and Andre Dubus, In The Bedroom, followed by: Michael Haneke, The Piano Teacher; Andrew Bovell, Lantana; Ian Watson and Steven Spielberg, A.I. Artificial Intelligence) (5)


2002: ORIGINAL SCREENPLAY: Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan, IN AMERICA (2nd: Mike Leigh, All or Nothing, followed by: Todd Haynes, Far From HeavenPedro Almodovar, Talk to Her; Steven Knight, Dirty Pretty Things) (5)


ADAPTED SCREENPLAY: Charlie (and Donald?) Kaufman, ADAPTATION (2nd: Ronald Harwood, The Pianist, followed by: Jeff Nathanson, Catch Me If You Can; David Benioff, 25th Hour; Braulio Mantovani, City of God) (5)


2003: ORIGINAL SCREENPLAY: Sofia Coppola, LOST IN TRANSLATION (2nd: Glenn Ficara and John Requa, Bad Santa, followed by: David Gordon Green, All The Real Girls; Thom Andersen, Los Angeles Plays Itself; Denys Arcand, The Barbarian Invasions) (5)


ADAPTED SCREENPLAY: Billy Ray, SHATTERED GLASS (2nd: Robert Pulcini and Shari Springer Berman, American Splendor, followed by: Hwang Jo-yun, Lim Chun-hywong, Lim Joon-hyung, and Park Chan-wook, Oldboy; Jane Anderson, NormalFran Walsh, Peter Jackson and Philippa Boyens, The Lord of the Rings: The Return of the King) (5)


2004: ORIGINAL SCREENPLAY: Charlie Kaufman and Michel Gondry, ETERNAL SUNSHINE OF THE SPOTLESS MIND (2nd: Mike Leigh, Vera Drake, followed by: Jean-Claude Carriere, Jonathan Glazer and Milo Addica, Birth; Jared Hess and Jerusha Hess, Napoleon Dynamite; Brad Bird, The Incredibles) (5)


ADAPTED SCREENPLAY: Alexander Payne and Jim Taylor, SIDEWAYS (2nd: Richard Linklater, Julie Delpy and Ethan Hawke, Before Sunset, followed by: Paul Haggis, Million Dollar Baby; Bernd Eichinger, Downfall; Jose Rivera, The Motorcycle Diaries) (5)



2005: ORIGINAL SCREENPLAY: Michael Haneke, CACHE (2nd: Jean-Pierre Dardenne and Luc Dardenne, L’Enfant, followed by: Noah Baumbach, The Squid and the Whale; Guillermo Arriaga, The Three Burials of Meliquiades Estrada; Angus MacLachlan, Junebug) (5)


ADAPTED SCREENPLAY: Larry McMurtry and Diana Ossana, BROKEBACK MOUNTAIN (2nd: Tony Kushner and Eric Roth, Munich, followed by: Jeffrey Caine, The Constant Gardener; Frank Cotrell Boyce, Tristram Shandy: A Cock and Bull Story; Jennifer Weiner, In Her Shoes) (5)



2006: ORIGINAL SCREENPLAY: Florian Henkel von Donnensmark, THE LIVES OF OTHERS (2nd: Paul Greengrass, United 93, followed by: Nicole Holofcener, Friends With Money; Shane Meadows, This is England; Kelly Reichardt and Jonathan Raymond, Old Joy) (5)


ADAPTED SCREENPLAY: Alfonso Cuaron, Timothy J. Sexton, David Arata, Mark Fergus, and Hawk Ostby, CHILDREN OF MEN (2nd: Sasha Baron Cohen, Anthony Hine, Peter Baynham, Dan Mizer and Todd Phillips, Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, followed by: Todd Field and Tom Perrotta, Little ChildrenWilliam Monahan, The Departed; Dan Gilroy, Nico Soultanakis, and Tarsem Singh, The Fall) (5)


2007: ORIGINAL SCREENPLAY: Kelly Masterson, BEFORE THE DEVIL KNOWS YOU'RE DEAD (2nd: Brad Bird, Jan Pinkava, and Jim Capobianco, Ratatouille, followed by: Tony Gilroy, Michael Clayton; Tamara Jenkins, The Savages; Diablo Cody, Juno) (5)


ADAPTED SCREENPLAY: Joel Coen and Ethan Coen, NO COUNTRY FOR OLD MEN (2nd: Andrew Dominick, The Assassination of Jesse James by the Coward Robert Ford, followed by; Paul Thomas Anderson, There Will Be BloodRonald Harwood, The Diving Bell and the Butterfly; Aaron Sorkin, Charlie Wilson's War) (5)


2008: ORIGINAL SCREENPLAY: Martin McDonagh, IN BRUGES (2nd: Charlie Kaufman, Synecdoche, New York; followed by: Mike Leigh, Happy-Go-Lucky; Andrew Stanton, Pete Docter, and Jim Reardon, WALL-E; Shane Meadows, Somers Town) (5)


ADAPTED SCREENPLAY: John Ajvide Lindqvist, LET THE RIGHT ONE IN (2nd: Kelly Reichardt and Jonathan Raymond, Wendy and Lucy; followed by: John Patrick Shanley, Doubt; Christopher Nolan, Jonathan Nolan, and David Goyer, The Dark Knight; Justin Haythe, Revolutionary Road) (5)


2009: ORIGINAL SCREENPLAY: Quentin Tarantino, INGLOURIOUS BASTERDS (2nd: Joel Coen and Ethan Coen, A Serious Man, followed by: Michael Haneke, The White Ribbon; Robert D. Siegel, Big FanScott Neustadter and Michael H. Weber, (500) Days of Summer) (5)


ADAPTED SCREENPLAY: Wes Anderson and Noah Baumbach, FANTASTIC MR. FOX (2nd: Thomas Bidegain and Jacques Audilard, A Prophet, followed by: Jane Campion, Bright Star; Scott Z. Burns, The Informant!; Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche and Ian Martin, In The Loop) (5)



2010: ORIGINAL SCREENPLAY: Noah Baumbach and Jennifer Jason Leigh, GREENBERG (2nd: Mike Leigh, Another Year, followed by: David Seidler, The King's Speech; Lisa Cholodenko and Stuart Blumberg, The Kids Are All Right; Lena Dunham, Tiny Furniture) (5)



ADAPTED SCREENPLAY: Aaron Sorkin, THE SOCIAL NETWORK (2nd: Robert Harris and Roman Polanski, The Ghost Writer, followed by: Alex Garland, Never Let Me Go; Debra Granik and Anne Rossellini, Winter's Bone; Michael Bacall and Edgar Wright, Scott Pilgrim Vs. The World) (5)


2011: ORIGINAL SCREENPLAY: Asghar Farhedi, A SEPARATION (2nd: Kenneth Lonergan, Margaret, followed by: Ebru Ceylan, Nuri Bilge Ceylan and Ercan Kesal, Once Upon A Time in Anatolia; Sarah Polley, Take This Waltz; Annie Mumolo and Kristen Wiig, Bridesmaids) (5)


ADAPTED SCREENPLAY: Steve Zaillian, Aaron Sorkin, and Stan Chervin, MONEYBALL (2nd: Joachim Trier and Eskil Vogt, Olso 31st August, followed by: Lynne Ramsay and Rory Kinnear, We Need to Talk About KevinAlexander Payne, Nat Faxon and Jim Rash, The Descendants; Christopher Hampton, A Dangerous Method) (5)


2012: ORIGINAL SCREENPLAY: Paul Thomas Anderson, THE MASTER (2nd: Craig Zobel, Compliance, followed by: Mark Boal, Zero Dark Thirty; Michael Haneke, Amour; Greta Gerwig and Noah Baumbach, Frances Ha) (5)



ADAPTED SCREENPLAY: Pedro Peirano, NO (2nd: David O. Russell, Silver Linings Playbook, followed by: Richard Linklater and Skip Hollandsworth, Bernie; Lucy Alibar and Behn Zeitlin, Beasts of the Southern WildChris Terrio, Argo) (5)


2013: ORIGINAL SCREENPLAY: Spike Jonze, HER (2nd: Nicole Holofcener, Enough Said, followed by: Bob Nelson, Nebraska; Joel Coen and Ethan Coen, Inside Llewyn Davis; Clio Bernhard, The Selfish Giant) (5)



ADAPTED SCREENPLAY: John Ridley, 12 YEARS A SLAVE (2nd: Abdellatif Kechiche and Ghalia LacroixBlue is the Warmest Color, followed by: Terence Winter, The Wolf of Wall Street; Walter Campbell and Jonathan Glazer, Under the Skin; Scott Neustadter and Michael H. Weber, The Spectacular Now)) (5)



2014: ORIGINAL SCREENPLAY: Richard Linklater, BOYHOOD (2nd: Alejandro Iñárritu, Nicolás Giacobone, Alexander Dinelaris, and Armando Bo, Birdman, or: The Unexpected Virtue of Ignorance, followed by: Damián Szifrón, Wild Tales; Ruben Ostland, Force Majeure; Oleg Negin and Andrey Zyvagintsev, Leviathan) (5)


ADAPTED SCREENPLAY: Lukas Moodysson, WE ARE THE BEST! (2nd: Paul Thomas Anderson, Inherent Vice, followed by: Damien Chazelle, Whiplash; Paul Webb, Selma; James Gunn and Nicole Perlman, Guardians of the Galaxy) (5)


2015: ORIGINAL SCREENPLAY: Pete Docter, Ronnie Del Carmen, Meg LeFauve, and Josh Cooley, INSIDE OUT (2nd: Taylor Sheridan, Sicario, followed by: Shlomi Elkabetz and Ronit Elkabetz, Gett: The Trial of Viviane AmsalemJosh Singer and Tom McCarthy, Spotlight; Rick Famuyiwa, Dope) (5)


ADAPTED SCREENPLAY: Andrew Haigh and David Constantine, 45 YEARS (2nd: Donald Margulies, The End of the Tour, followed by: Kevin Wilmott and Spike Lee, Chi-RaqPhyllis Nagy, Carol; Charlie Kaufman, Anomalisa) (5)


2016: ORIGINAL SCREENPLAY: Kenneth Lonergan, MANCHESTER BY THE SEA (2nd: Mike Mills, 20th Century Women, followed by: Jim Jarmusch, Paterson; Ira Sachs and Mauricio Zacharias, Little Men; Ken Loach, I, Daniel Blake) (5)


ADAPTED SCREENPLAY: James Schamus, INDIGNATION (2nd: Whit Stillman, Love and Friendship, followed by: Tom Ford, Nocturnal Animals; Taika Waititi, Hunt for the Wilderpeople; Todd Komarnicki, Sully) (5)


2017: ORIGINAL SCREENPLAY: Greta Gerwig, LADY BIRD (2nd: Paul Thomas Anderson, Phantom Thread, followed by: Cristian Mungiu, Graduation; Emily V. Gordon and Kumail Nanjiani, The Big SickMike White, Beatriz at Dinner) (5)


ADAPTED SCREENPLAY: Matt Ruskin, CROWN HEIGHTS (2nd: Lee Hall, Victoria and Abdul, followed by: Scott Neustadter and Michael H. Weber, The Disaster ArtistJames Ivory, Call Me By Your Name; Richard Linklater and Daniel Ponicsan, Last Flag Flying) (5)

NEXT: The Greatest Cinematography in Cinema! 

1 comment:

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