Sunday, April 24, 2011
Forgotten Movie Songs #5: "At The Ball" from WAY OUT WEST
Who doesn't love Laurel and Hardy? Even with their often acrimonious doings on-screen, the audience instantly gets that these two are great friends, no matter what Stan accidentally drops on Ollie's round head. Never was this more apparent than with the little dance they do together when, in 1937's Way Out West, they enter a gold prospecting town and come upon The Avalon Boys (with a later Oscar-nominated actor, Chill Wills, as the lead yodeller). Right there, outside of Mickey Finn's saloon, Stan and Ollie cannot help but launch into some of the sweetest hoofing ever committed to celluloid. It's just the best, this scene, topped off by the silky smooth vocal stylings of the Avalon Boys. The music and lyrics to "At The Ball" were deftly written by producer Hal Roach's house composer Marvin Hatley (who also wrote the team's famous "cuckoo" theme, and who won an Oscar nomination for his score to Way Out West).
The British Stan Laurel and the southern American Oliver Hardy have never felt so perfect together as they do here. I adore how much they tell me about themselves through their magnificent dancing.
Commence to dancin'
Commence to prancin'
Commence advancin'
Right and left a-glancin'
A-smoochy dancin'
Slide and glide entrancin'
You do the tango jiggle
With a Texas Tommy wiggle
Take your partner and you hold her
Slightly enfold her
A little bolder
Just work your shoulder
Snap your fingers one and all
In the hall at the ball
That's all
Some more
(repeat)
Forgotten Movie Songs #4: "The Maker" from SLING BLADE
Super-producer Daniel Lanois had twisted the sound knobs for artists like U2, Bob Dylan and Peter Gabriel long before he composed the thoughtful, isolation-flavored score to Billy Bob Thornton's 1996 directorial debut, Sling Blade. As a capper to this movie about the long-hospitalized Karl Childers and his loving and violent adventures outside institution walls, Lanois offered up a forceful yet gracious closing credits song called "The Maker." The song wasn't written for the film, surprisingly, though it works splendidly as commentary on a story that sports dark notions about how we fight one evil with another and, as a bonus, it weaves in religious commentary where Thornton's film often was just too subtly-written to tread. I'm sure that Thornton--a musician himself--garnered great inspiration from this song while writing Sling Blade, and that it led him to hire Lanois as a composer of what still stands as a outstanding rock-based score.
Here is a circa-1990 live performance of "The Maker," music and lyrics by Daniel Lanois.
Oh, oh deep water
Black, and cold like the night
I stand with arms wide open
I've run a twisted mile
I'm a stranger
in the eyes of the maker
I could not see
For fog in my eyes
I could not feel
For the fear in my life
From across the great divide
In the distance I saw a light
Jean Baptiste
Walking to me with the maker
My body is bent and broken
By long and dangerous leaps
I can't work the fields of Abraham
and turn my head away
I'm not a stranger
In the hands of the maker
Brother John
Have you seen the homeless daughters
Standing there with broken wings
I have seen the flaming swords
There over east of Eden
Burning in the eyes of the maker
Burning in the eyes of the maker
Burning in the eyes of the maker
Burning in the eyes of the maker
Oh river, rise from your sleep
Saturday, April 23, 2011
CINEMA GALLERY: The ABCs of Cult Movies
In the interest of the recent worldwide blogger call to contribute the ABC's of any given category, I offer now a possible lexicon of cult movie magic:
A is for The Apple. (Menahem Golan, 80)
B is for Belle Du Jour. (Luis Buñuel, 67)
C is for Cutter's Way. (Ivan Passer, 81)
D is for The Devil Rides Out. (Terence Fisher, 68)
E is for Eating Raoul. (Paul Bartel, 82)
F is for The Fall. (Tarsem Singh, 2006)
G is for Gone With The Wind. (Victor Fleming et al, 1939)
H is for Holy Mountain. (Alejandro Jodorowsky, 73)
I is for if... (Lindsey Anderson, 68)
J is for Jackie Brown. (Quentin Tarantino, 97)
K is for Kung Fu Hustle. (Stephen Chow, 2004)
L is for Local Hero. (Bill Forsyth, 83)
M is for Mean Streets. (Martin Scorsese, 73)
N is for 1941. (Steven Spielberg, 79)
O is for Office Space. (Mike Judge, 99)
P is for Pink Floyd The Wall. (Alan Parker, 82)
Q is for Q. (Larry Cohen, 82)
R is for River's Edge. (Tim Hunter, 86)
S is for Some Like It Hot. (Billy Wilder, 59)
T is for Theater of Blood. (Douglas Hickox, 73)
U is for Up In Smoke. (Lou Adler, 78)
V is for The Vanishing. (George Sluzier, 88)
W is for The Wicker Man. (Robin Hardy, 73)
X is for X--The Man With The X-Ray Eyes. (Roger Corman, 63)
Y is for Yellow Submarine. (George Dunning, 68)
Z is for Zardoz. (John Boorman, 74)
A is for The Apple. (Menahem Golan, 80)
B is for Belle Du Jour. (Luis Buñuel, 67)
C is for Cutter's Way. (Ivan Passer, 81)
D is for The Devil Rides Out. (Terence Fisher, 68)
E is for Eating Raoul. (Paul Bartel, 82)
F is for The Fall. (Tarsem Singh, 2006)
G is for Gone With The Wind. (Victor Fleming et al, 1939)
H is for Holy Mountain. (Alejandro Jodorowsky, 73)
I is for if... (Lindsey Anderson, 68)
J is for Jackie Brown. (Quentin Tarantino, 97)
K is for Kung Fu Hustle. (Stephen Chow, 2004)
L is for Local Hero. (Bill Forsyth, 83)
M is for Mean Streets. (Martin Scorsese, 73)
N is for 1941. (Steven Spielberg, 79)
O is for Office Space. (Mike Judge, 99)
P is for Pink Floyd The Wall. (Alan Parker, 82)
Q is for Q. (Larry Cohen, 82)
R is for River's Edge. (Tim Hunter, 86)
S is for Some Like It Hot. (Billy Wilder, 59)
T is for Theater of Blood. (Douglas Hickox, 73)
U is for Up In Smoke. (Lou Adler, 78)
V is for The Vanishing. (George Sluzier, 88)
W is for The Wicker Man. (Robin Hardy, 73)
X is for X--The Man With The X-Ray Eyes. (Roger Corman, 63)
Y is for Yellow Submarine. (George Dunning, 68)
Z is for Zardoz. (John Boorman, 74)
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