Wednesday, January 5, 2011

More answers for the Good Professor

I'm a little late on the uptake, but PROFESSOR HUBERT FARNSWORTH'S ONLY SLIGHTLY FUTURISTIC HOLIDAY MOVIE QUIZ went up over at Dennis Cozzulio's Sergio Leone and the Infield Fly Rule on December 23rd. filmicability participated in this sort of stunt back at the beginning of fall in September 2010, and is excited to throw in again (and is even more excited to hear it's a turn-of-the-season tradition). The professor's questions are alternately expected, surprising and occasionally inscrutable, but always fun. I decided to become more terse with my answers, as you'll see. Here we go:

1) Best Movie of 2010
Greenberg

2) Second-favorite Roman Polanski Movie
Tess

3) Jason Statham or Dwayne “The Rock” Johnson
Jason Statham


4) Favorite movie that could be classified as a genre hybridThe Wicker Man (1973) (horror/mystery/musical)

5) How important is foreknowledge of a film’s production history? Should it factor into one’s reaction to a film?
Production histories can be interesting if we're talking about older titles. Interest in them should never overtake the movie itself, though; it's the movie that's the important thing, right? Following a film from production to completion via the press is a dicey, pricey proposition. Sometimes troubled production histories stand in the way of enjoying a really great movie (like Michael Cimino's Heaven's Gate). Sometimes, production histories make us think a so-so movie is cleverer than it is, simply because it was financed and made in a chancy way (say, Kevin Smith's Clerks). On and on it goes. Astounding, actually, are the myriad of ways your moviegoing could be fudged up by too much foreknowledge of all aspects of any film. So, day to day, I try to stay away from stories about a film's production, again, unless it's an older title.

6) William Powell & Myrna Loy or Cary Grant & Irene Dunne
Cary Grant and Irene Dunne were sexier, if not as witty.

7) Best Actor of 2010

I wish I could say it was Edgar Ramirez in Carlos. But it was Ben Stiller in Greenberg.

8) Most important lesson learned from the past decade of watching movies

CGI looks just as fakey as the worst stop-motion out there.

9) Last movie seen (DVD/Blu-ray/theater)
On DVD, it was Clint Eastwood's Blood Work. On VHS, it was Marvin and Tige with John Cassavetes. On computer, it was The Rutles: All You Need Is Cash. And in the theater it was The Fighter.



10) Most appropriate punishment for director Tom Six
Without recognizing his name at first (he's the guy that's responsible for The Human Centipede series): complete moviegoing indifference.

11) Best under-the-radar movie almost no one else has had the chance to see
Tuesday, After Christmas from Romania, about the dissolution of a marriage. Brave and straightforward drama, with no outlandishness whatsoever.

12) Sheree North or Angie Dickinson
Angie Dickinson! I ain't crazy, yo!


13) Favorite nakedly autobiographical movie
All That Jazz

14) Movie which best evokes a specific real-life place
A late 1970s southern high school in Dazed and Confused

15) Best Director of 2010
Apitchapong Weerasethakul for Uncle Boonmee Who Can Recall His Past Lives

16) Second-favorite Farrelly Brothers Movie

Kingpin

17) Favorite holiday movie
A Charlie Brown Christmas and It's A Wonderful Life

18) Best Actress of 2010
Greta Gerwig in Greenberg


19) Joe Don Baker or Bo Svenson
Joe Don Baker

20) Of those notable figures in the world of the movies who died in 2010, name the one you’ll miss the most
Overall, I'll miss Harvey Pekar the most. But his dip into movies was a slight one. Jill Clayburgh, Dennis Hopper, Sally Menke, Arthur Penn, and Dino De Laurentiis would top my list, really. And Maury Chaykin...does anybody out there know who Maury Chaykin was? Only the best character actor to come out of Canada in the last 30 years.

21) Think of a movie with a notable musical score and describe what it might feel like without that accompaniment.
Lawrence of Arabia without Jarre's music would be like thirstily visiting a well devoid of water.

22) Best Screenplay of 2010
Aaron Sorkin for The Social Network

23) Movie You Feel Most Evangelistic About Right Now
Greenberg, of course! Can't you tell?

24) Worst/funniest movie accent ever
Worst accent might be Matthew Broderick's on/off again British accent in Richard Donner's Ladyhawke. What makes that worse than, say, Kevin Costner's multitude of bad tongues in things like JFK, Robin Hood: Prince of Thieves, and Thirteen Days is that we expect MORE of Broderick, even at that young age. He had, after all, come from an acting family and a smart start on Broadway. I notice Broderick has never tried to do accents since. Funniest movie accent is John Cleese's "outrageous French accent" in Monty Python and the Holy Grail (he also, as the sorcerer near the end, does a funny Scottish one in it, too).


25) Best Cinematography of 2010

Best that I saw: Mikhail Krichman's work in the Russian film Silent Souls. Best that you might have seen: Adam Kimmel's lensing of Never Let Me Go.

26) Olivia Wilde or Gemma ArtertonGemma Arterton, though this is only based on looks alone.

27) Name the three best movies you saw for the first time in 2010 A Matter of Life and Death, Los Angeles Plays Itself, and Edvard Munch

28) Best romantic movie couple of 2010J.R. Ackerly and Tulip in My Dog Tulip. Two humans? Okay...well, I could go with Stiller and Gerwig in Greenberg again, and I have good reason to. But instead I think I'll cite Ellen Burstyn and Martin Landau in Lovely, Still.

29) Favorite shock/surprise endingThe last 10 seconds of Takeshi Miike's Dead or Alive.



30) Best cinematic reason to have stayed home and read a book in 2011Scott Pilgrim excepted, all movies with superheroes in them.

31) Movies in 2011 could make me much happier if they’d only......keep paying attention to examining the lives of real, everyday people.

Tuesday, January 4, 2011

2010 Writers and Producer's Guild award nominations--predictions and results

The real beginning of the Oscar season kicks off later today with the announcement of both the Producer's Guild and Writer's Guild nominations, which usually match up to the Academy's eventual wrap-up list. But, for the Writer's Guild, maybe the simiarities won't show this year. This is because so many titles-- The King's Speech, Toy Story 3, Another Year, Winter's Bone, Never Let Me Go, Scott Pilgrim and The Ghost Writer among them--are ineligible for the guild's award, probably because the authors are not part of the WGA. So, as far as the WGA goes, this is going to make for a very interesting list that you can bet your knickers won't be repeated by a starlet and the Academy president come nomination morn. Anyway, here are my predictions for the Writer's Guild nominees:

BEST ORIGINAL SCREENPLAY:
Black Swan (Story by Andres Heinz; screenplay by Mark Heyman, Andres Heinz, and John J. McLaughlin)
The Fighter (Story by Paul Tamasy, Eric Johnson & Keith Dorrington; screenplay by Scott Silver and Paul Tamasy & Eric Johnson
Greenberg (Story by Jennifer Jason Leigh and Noah Baumbach; screenplay by Noah Baumbach)
Inception (Written by Christopher Nolan)
The Kids are All Right (Written by Lisa Cholodenko and Stuart Blumberg)

OUT OF LEFT FIELD?:
Please Give (Written by Nicole Holofcener)


BEST ADAPTED SCREENPLAY:
127 Hours (Adapted by Danny Boyle and Simon Beaufoy, based on the memoir Between a Rock and a Hard Place by Aron Ralston)
Rabbit Hole (Adapted by David Lindsay-Abaire, based on his play)
The Social Network (Adapted by Aaron Sorkin, based on the book The Accidental Billionaires by Ben Mezrich)
The Town (Adapted by Peter Craig and Ben Affleck & Aaron Stockard, based on the novel Prince of Thieves by Chuck Hogan)
True Grit (Adapted by Joel and Ethan Coen, based on the novel by Charles Portis)

OUT OF LEFT FIELD?: Let Me In (Adapted by Matt Reeves, based on the screenplay and novel Let The Right One In by John Ajvide Lindqvist)

AND THE NOMINEES, JUST ANNOUNCED:

ORIGINAL SCREENPLAY
Black Swan, Screenplay by Mark Heyman and Andres Heinz and John McLaughlin; Story by Andres Heinz; Fox Searchlight
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson; Paramount Pictures
Inception, Written by Christopher Nolan; Warner Bros.
The Kids Are All Right, Written by Lisa Cholodenko & Stuart Blumberg; Focus Features
Please Give, Written by Nicole Holofcener; Sony Pictures Classics

ADAPTED SCREENPLAY
127 Hours, Screenplay by Danny Boyle & Simon Beaufoy; Based on the book Between a Rock and a Hard Place by Aron Ralston; Fox Searchlight
I Love You Phillip Morris, Written by John Requa & Glenn Ficarra; Based on the book by Steven McVicker; Roadside Attractions
The Social Network, Screenplay by Aaron Sorkin; Based on the book The Accidental Billionaires by Ben Mezrich; Sony Pictures
The Town, Screenplay by Peter Craig and Ben Affleck & Aaron Stockard; Based on the novel Prince of Thieves by Chuck Hogan; Warner Bros.
True Grit, Screenplay by Joel Coen & Ethan Coen; Based on the novel by Charles Portis; Paramount Pictures

DOCUMENTARY SCREENPLAY
Enemies of the People, Written, Directed, Filmed and Produced by Rob Lemkin and Thet Sambath; International Film Circuit
Freedom Riders, Written, Produced and Directed by Stanley Nelson; International Film Circuit
Gasland, Written and Directed by Josh Fox; HBO Documentary Films and International WOW Company
Inside Job, Produced, Written and Directed by Charles Ferguson; Co-written by Chad Beck, Adam Bolt; Sony Pictures Classics
The Two Escobars, Written by Michael Zimbalist, Jeff Zimbalist; ESPN Films
Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him)?, Written and Directed by John Scheinfeld; Lorber Films


For my Producer's Guild predictions, I'll only list the films, since the producing credits are always mostly in dispute for a lot of titles til the last minute. Here, I go with:

127 Hours
Black Swan
The Fighter
The Ghost Writer
Inception
The Kids are All Right
The King's Speech
The Social Network
Toy Story 3
True Grit


Let's see what happens...

AND THEN...THE PRODUCERS GUILD ANNOUNCES THE NOMINEES:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:
127 HOURS Producers: Danny Boyle, Christian Colson
BLACK SWAN Producers: Scott Franklin, Mike Medavoy, Brian Oliver
THE FIGHTER Producers: David Hoberman, Todd Lieberman, Mark Wahlberg
INCEPTION Producers: Christopher Nolan, Emma Thomas
THE KIDS ARE ALL RIGHT Producers: Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattra
THE KING’S SPEECH Producers: Iain Canning, Emile Sherman, Gareth Unwin
THE SOCIAL NETWORK Producers: Dana Brunetti, Cean Chaffin, Michael De Luca, Scott Rudin
THE TOWN Producers: Basil Iwanyk, Graham King
TOY STORY 3 Producer: Darla K. Anderson
TRUE GRIT Producers: Ethan Coen, Joel Coen, Scott Rudin

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:
DESPICABLE ME Producers: John Cohen, Janet Healy, Christopher Meledandri
HOW TO TRAIN YOUR DRAGON Producer: Bonnie Arnold
TOY STORY 3 Producer: Darla K. Anderson

The Award for Outstanding Producer of Documentary Theatrical Motion Pictures:
CLIENT 9: THE RISE AND FALL OF ELIOT SPITZER Producer(s): Awaiting final credit determination
EARTH MADE OF GLASS Producers: Reid Carolin, Deborah Scranton
INSIDE JOB Producers: Charles Ferguson, Audrey Marrs
SMASH HIS CAMERA Producers: Linda Saffire, Adam Schlesinger
THE TILLMAN STORY Producer: John Battsek
WAITING FOR ‘SUPERMAN’ Producer: Lesley Chilcott

Thursday, December 30, 2010

The Top 25 Movies of 2010

Not many movie years out there like this one. It started off godawful slow, but once the summer was half over, it felt like we were in the midst of a full-time parade of landmark cinema. Per usual, there were a few crashing disappointments come December, but overall, there were lots of breathtaking pieces sprinkled throughout these past 12 months, and a shocking number of them were about REAL PEOPLE and REAL EVENTS! 2010 gave us a hefty package of comedy, drama, action, horror, news, romance, spectacle, and mystery, and I haven't even seen everything I need to take in (as usual on filmicability, these lists are a work-in-progress, changing as I catch relevant titles). And, is it me, or are a bunch of these films about letting go and accepting reality? Or am I in that point in my life where I'm only reading this into stuff? (Ahh, pshaw...come to consider it, I think it's all there in the movies.)

1) The Social Network (US, David Fincher) 




  2) Greenberg (Noah Baumbach)
Doing nothing requires a lot of effort.

3) Another Year (Mike Leigh)
Passage into old age, with a great filmmaker's coterie of MVPs.


4) The King's Speech (Tom Hooper)
A leader finds a voice in a brilliant piece of old-time entertainment.

5) The Fighter (David O. Russell)
An old story made anew by a top-flight acting ensemble under inventive direction.

6) Inside Job (Charles Ferguson)
How the mess we're in happened.

7) Inception (Christopher Nolan)
Time, dreams and movement vivisected. The visual experience of 2010.

8) Boxing Gym (Frederick Wiseman)
Punches thrown and footwork nailed in a Texas locale run over with rhythmic soul.

9) Let Me In (Matt Reeves)
No mean feat, this--to take a much loved movie and best it.

10) The Illusionist (Sylvain Chomet)
A final script from Jacques Tati, beautifully realized through animation.

11) The Ghost Writer (Roman Polanski)
We're up against a comedy of errors if we want to get to the truth.

12) Please Give (Nicole Holofcener)
NYC upper-class guilt gets a honest workout.

13) The Kids Are All Right (Lisa Chodolenko)
The comedy of the year, the heartfelt sort of which we rarely see.

14) Easy A (Will Gluck)
The OTHER comedy of the year, with a captivating, hilarious lead performance from Emma Stone.

15) Carlos (Oliver Assayas)
Gangster or freedom-fighter? You decide.

16) My Dog Tulip (Paul and Sandra Fierlinger)
The best animated film of 2010 is also the year's greatest love story.

17) Scott Pilgrim Vs. The World (Edgar Wright)
Put your quarter in and spar to see if you can love again.

18) Never Let Me Go (Mark Romanek)
After Tarkovsky's Solaris, the saddest science fiction movie ever made.

19) Frozen (Adam Green)
Real tension, literally, found in icy climbs.

20) A Letter to Elia (Martin Scorsese and Kent Jones)
The fan letter all us movie geeks would like to compose for our filmmaking idols.

21) Mother and Child (Rodrigo Garcia)
Conceptions made in innocence, regret and hope.

22) Marcel The Shell With Shoes On (Dean Flischer-Camp and Jenny Slate)
The most cuteness-laden and addictive film of the year: I've seen it thirty times.

23) Blue Valentine (Derek Cianfrance)
Romance, born and snuffed out.

24) Exit Through the Gift Shop (Banksy) 
A great joke, well told.

25) Lebanon (Samuel Maoz) 
Unfair wartime, seen through the lens of a tank's gunsight.

OF NOTE: Buried, Winter's Bone, Catfish, Cyrus, Day and Night, Dock Ellis and the LSD No-No, Dogtooth, Fish Tank, Four Lions, I Am Love, I'm Still Here, Insidious, Leaves of Grass, Louie CK: Hilarious, Lovely Still, The Oath, Rabbit Hole, Red, Solitary Man, Smash His Camera, Splice, Temple Grandin, The Tillman Story, The Town, White Material, Who is Harry Nilsson (And Why is Everybody Talkin' About Him)?, You Don't Know Jack, Youth in Revolt

GUILTY PLEASURES: Death at a Funeral, Hot Tub Time Machine, Monsters, Multiple Sarcasms, Salt, Stone 

My 10 favorite classics I saw for the first time in 2010: A Matter of Life and Death (Michael Powell and Emeric Pressberger, 46); Los Angeles Plays Itself (Thom Andersen, 2003); Edvard Munch (Peter Watkins, 74); Nuremberg: Its Lesson For Today (Stuart Schulberg, 48); Nights and Weekends (Joe Swanberg and Greta Gerwig, 2008); Disneyland Dream (Robbins Barstow, 56); Catalog (John Whitney Sr., 61); Our Day (Wallace Kelly, 38); Hausu (Nobuhiko Ohbayashi, 77); Deep End (Jerry Skolimowski, 70) 

Best Picture: The Social Network
Best Director: David Fincher -- The Social Network
Best Actor: Colin Firth -- The King's Speech
Best Actress: Lesley Manville - Another Year
Best Supporting Actor: Christian Bale -- The Fighter
Best Supporting Actress: Greta Gerwig -- Greenberg
Best Original Screenplay: Noah Baumbach and Jennifer Jason Leigh -- Greenberg
Best Adapted Screenplay: Aaron Sorkin -- The Social Network
Best Cinematography: Grieg Fraser -- Let Me In
Best Production Design: Eve Stewart -- The King's Speech
Best Costume Design: Jenny Beavan -- The King's Speech
Best Editing: Lee Smith -- Inception
Best Sound: Black Swan
Best Special Effects: Inception 
Best Music Score: Atticus Ross and Trent Reznor, The Social Network
Best Thriller: Frozen
Best Comedy: Scott Pilgrim Vs. The World
Best Documentary: Inside Job
Best Animation: The Illusionist
Best Action Film: Inception 
Best Entertainment: The Social Network
Most Promising Director: Matt Reeves -- Let Me In
Most Promising Actor: Andrew Garfield -- The Social Network and Never Let Me Go
Most Promising Actress: Greta Gerwig -- Greenberg
Most Underrated Films: My Dog Tulip and Easy A
Most Neglected Films: Greenberg, Let Me In, and Never Let Me Go
Most Imaginative Film: Scott Pilgrim Vs. The World
Best Re-Discovery: The Outsiders (director's cut)

MOST OVERRATED MOVIES OF THE YEAR: 127 Hours, Toy Story 3, Animal Kingdom, Get Low, Gasland
BIGGEST DISAPPOINTMENTS: Shutter Island and Nowhere Boy
WORST MOVIES I SAW THIS YEAR: Kick  Ass, Unstoppable, and Macgruber
WORST STUDIO FILMS I DIDN'T SEE IN 2010: Alice in Wonderland, The Last Airbender, and Sex and the City 2
WORST INDIE FILMS I DIDN'T SEE IN 2010: The Human Centipede and Babies

PERSONAL HIGHS THIS YEAR: Getting to meet my favorite filmmaker in the world, Mike Leigh, after watching his newest, Another Year, at the New York Film Festival (and meeting a lot of my film blogging colleagues there, to boot). Also, getting to sit a couple hours with Player Hating: A Love Story and War Zone filmmaker Maggie Hadleigh West. Having my 150 Best Movie Endings article twittered about by Roger Ebert in May. Being given, as a token of friendship, my first personal film print of a movie I love, Thanksgiving, by its writer/director Alex R. Johnson. And last but not least, participating in the Movie Geeks United podcast and hitting more than 160,000 hits on filmicability!

BEST MOVIE-WATCHING EVENT OF THE YEAR: Seeing some amazing experimental Super 8mm, 16mm, and video work at the Millenium Film Workshop's monthly first come, first serve "show your own movie" show, along with my friend, celebrated documentarian Richard Sandler (who did The Gods of Times Square and, most recently, the 8mm footage for Winter's Bone; he was unspooling for the first time his newest experimental work, Forever and Sunsmell, based on the piece by John Cage and the poem by e.e. cummings). Saw some incredible work: a piece on food modification by Lily White and an absolutely astounding piece of 70s-era NYC pixilation by a man who introduced himself only as "Mr. E". Seeing all of this in the East Village's historic Millenium, where Stan Brakhage attended many a premiere, was overwhelming!