COLOR CINEMATOGRAPHY: Jack Cardiff, THE RED SHOES (2nd: Harry Stradling, Jr., Easter Parade, followed by: Winton C. Hoch, William V. Skall and Joseph A. Valentine, Joan of Arc) (3)
1949: BLACK-AND-WHITE CINEMATOGRAPHY: Paul Vogel, BATTLEGROUND (2nd: Milton Krasner, The Set-Up, followed by: Yuharu Atsuta, Late Spring; Robert Krasker, The Third Man; Robert Surtees, Intruder in the Dust; Leo Tover, The Heiress; Franz Planer, Criss Cross) (7)
COLOR CINEMATOGRAPHY: Winton Hoch, SHE WORE A YELLOW RIBBON (2nd: Harold Rosson, On The Town, followed by: Robert Planck and Charles Schoenbaum, Little Women) (3)
1950: BLACK-AND-WHITE CINEMATOGRAPHY: John Seitz, SUNSET BLVD. (2nd: Russell Harlan, Gun Crazy, followed by: Kazuo Miyagawa, Rashomon; Harold Rosson, The Asphalt Jungle; Victor Milner, The Furies) (5)
COLOR CINEMATOGRAPHY: Ernest Palmer, BROKEN ARROW (2nd: Charles Rosher, Annie Get Your Gun, followed by: Robert Surtees, King Solomon's Mines) (3)
1951: BLACK-AND-WHITE CINEMATOGRAPHY: Robert Burks, STRANGERS ON A TRAIN (2nd: William C. Mellor, A Place in the Sun, followed by: Harry Stradling, A Streetcar Named Desire; Harold Rosson, The Red Badge of Courage; Charles Lang, Ace in the Hole) (5)
COLOR CINEMATOGRAPHY: John Alton and Al Gilks, AN AMERICAN IN PARIS (2nd: Claude Renoir, The River, followed by: Christopher Challis, The Tales of Hoffmann; Robert Surtees and William V. Skall, Quo Vadis?; Jack Cardiff, The African Queen) (5)
1952: BLACK-AND-WHITE CINEMATOGRAPHY: Robert Surtees, THE BAD AND THE BEAUTIFUL (2nd: G.R. Aldo, Umberto D, followed by: Karl Struss, Limelight; Asaichi Nakai, Ikiru; Charles B. Lang Jr., Sudden Fear) (5)
COLOR CINEMATOGRAPHY: Winton H. Hoch and Archie Stout, THE QUIET MAN (2nd: Harold Rosson, Singin’ in the Rain, followed by: George J. Folsey, Million Dollar Mermaid; Leon Shamroy, The Snows of Kilimanjaro; Harry Stradling, Hans Christian Andersen) (5)
1953: BLACK-AND-WHITE CINEMATOGRAPHY: Yuharu Atsuta, TOKYO STORY (2nd: Christian Matras, Madame de…, followed by: Charles B. Lang, The Big Heat; Burnett Guffey, From Here to Eternity; Kazuo Miyagawa, Ugetsu Monogatari) (5)
COLOR CINEMATOGRAPHY: Loyal Griggs, SHANE (2nd: Leon Shamroy, The Robe, followed by: Frank Planer, The 5000 Fingers of Dr. T; William C. Mellor, The Naked Spur; Henry Jackson and George J. Folsey, The Band Wagon) (5)
1954: BLACK-AND-WHITE CINEMATOGRAPHY: Boris Kaufman, ON THE WATERFRONT (2nd: Asaichi Nakai, The Seven Samurai, followed by: Kazuo Miyagawa, Sansho the Baliff; Burt Glennon, Crime Wave; George Folsey, Executive Suite) (5)
COLOR CINEMATOGRAPHY: Robert Burks, REAR WINDOW (2nd: George Folsey, Seven Brides for Seven Brothers, followed by: Leon Shamroy, The Egyptian; Russell Metty, Magnificent Obsession; Harry Stradling, Johnny Guitar) (5)
1955 BLACK-AND-WHITE CINEMATOGRAPHY: TIE: Stanley Cortez, THE NIGHT OF THE HUNTER and John Alton, THE BIG COMBO (2nd: Ernest Laszlo, Kiss Me Deadly, followed by: Henning Bendtsen, Ordet; James Wong Howe, The Rose Tattoo; Gunnar Fischer, Smiles of a Summer Night) (6)
COLOR CINEMATOGRAPHY: Russell Metty, ALL THAT HEAVEN ALLOWS (2nd: Christian Matras, Lola Montes, followed by: Robert Burks, To Catch a Thief; Ted McCord, East of Eden; Robert Surtees, Oklahoma!; James Wong Howe, Picnic) (6)
1956: BLACK-AND-WHITE CINEMATOGRAPHY: Joseph Ruttanberg, SOMEBODY UP THERE LIKES ME (2nd: Robert Burks, The Wrong Man, followed by: Boris Kaufman, Baby Doll; Lucien Ballard, The Killing; Burnett Guffey, The Harder They Fall) (5)
COLOR CINEMATOGRAPHY: Winton C. Hoch, THE SEARCHERS (2nd: Joseph P. MacDonald, Bigger Than Life, followed by: Loyal Griggs, The Ten Commandments; Frederick A.Young and Russell Harlan, Lust for Life; Russell Metty, Written on the Wind) (5)
1957: BLACK-AND-WHITE CINEMATOGRAPHY: James Wong Howe, SWEET SMELL OF SUCCESS (2nd: Sergei Urusevsky, The Cranes are Flying, followed by: Gunnar Fischer, The Seventh Seal; Asaichi Nakai, Throne of Blood; Georg Krause, Paths of Glory; Gunnar Fischer, Wild Strawberries) (6)
COLOR CINEMATOGRAPHY: Ray June, FUNNY FACE (2nd: Jack Hildyard, The Bridge Over the River Kwai, followed by: Oswald Morris, Heaven Knows, Mr. Allison; William H. Mellor, Peyton Place; Milton Krasner, An Affair to Remember; Jack Asher, The Curse of Frankenstein) (6)
1958: BLACK-AND-WHITE CINEMATOGRAPHY: Russell Metty, TOUCH OF EVIL (2nd: Ichio Yamazaki, The Hidden Fortress, followed by: Geoffrey Unsworth, A Night to Remember; Lionel Lindon, I Want to Live!; Jerzy Wojcik, Ashes and Diamonds) (5)
COLOR CINEMATOGRAPHY: Robert Burks, VERTIGO (2nd: William H. Daniels, Some Came Running, followed by: Jean Bourgoin, Mon Oncle; Franz Planer, The Big Country; Harry Stradling, Jr., Auntie Mame) (5)
1959: BLACK-AND-WHITE CINEMATOGRAPHY: William C. Mellor , THE DIARY OF ANNE FRANK (2nd: Charles Lang Sr., Some Like it Hot, followed by: Joseph C. Brun, Odds Against Tomorrow; Sacha Vierny and Takahashi Michio, Hiroshima Mon Amour; Russell Harlan, Day of the Outlaw) (5)
COLOR CINEMATOGRAPHY: Robert Surtees, BEN HUR (2nd: Robert Burks, North by Northwest, followed by: Kazuo Miyagawa, Floating Weeds; Jean Bourgoin, Black Orpheus; Franz Planer, The Nun's Story) (5)
 1960: BLACK-AND-WHITE CINEMATOGRAPHY: John L. Russell, PSYCHO (2nd: Freddie Francis, Sons and Lovers, followed by: Sven Nykvist, The Virgin Spring; Raoul Coutard, Shoot the Piano Player; Joseph LaShelle , The Apartment; Aldo Scavarda, L’Avventura) (6)
COLOR CINEMATOGRAPHY: Russell Metty, SPARTACUS (2nd: Henri Decaë, Purple Noon, followed by: Mamoru Morita, Jigoku; Otto Heller, Peeping Tom; John Alton, Elmer Gantry) (5)
1961: BLACK-AND-WHITE CINEMATOGRAPHY: Freddie Francis, THE INNOCENTS (2nd: Eugene Schufftan, The Hustler, followed by: Sacha Vierny, Last Year at Marienbad; Kazuo Miyagawa, Yojimbo; Daniel L. Fapp, One, Two, Three; Merill Brody, Blast of Silence) (6)
COLOR CINEMATOGRAPHY: Daniel L. Fapp, WEST SIDE STORY (2nd: Asakazu Nakai, The End of Summer, followed by: Raoul Coutard, A Woman is a Woman; Boris Kaufman, Splendor in the Grass; Jack Cardiff, Fanny; Robert Krasker, El Cid) (6)
1962: BLACK-AND-WHITE CINEMATOGRAPHY: Lionel Lindon, THE MANCHURIAN CANDIDATE (2nd: Henri Decaë, Sundays and Cybèle, followed by: Yoshio Muyajima, Harakiri; Vadim Yusov, Ivan’s Childhood; Russell Harlan, To Kill a Mockingbird) (5)
COLOR CINEMATOGRAPHY: Frederick A. Young, LAWRENCE OF ARABIA (2nd: Lucien Ballard, Ride the High Country, followed by: Robert Burks, The Music Man; Yahuru Atsuta, An Autumn Afternoon; Harry Stradling Jr., Gypsy) (5)
1963: BLACK-AND-WHITE CINEMATOGRAPHY: Gianni di Venanzo, 8½ (2nd: James Wong Howe, Hud, followed by: Sven Nykvist, Winter Light; Haskell Wexler, America America; David Boulton, The Haunting) (5)
COLOR CINEMATOGRAPHY: Raoul Coutard, CONTEMPT (2nd: Leon Shamroy, Cleopatra, followed by: Giuseppe Rotunno, The Leopard; Robert Burks, The Birds; Walter Lassally and Manny Wynn, Tom Jones) (5)
1964: BLACK-AND-WHITE CINEMATOGRAPHY: Sergey Urusevskiy. I AM CUBA (2nd: Tonino Delli Colli, The Gospel According to St. Matthew, followed by: Hiroshi Segawa, Woman in the Dunes; Gerald Hirschfeld, Fail-Safe; Kiyomi Kuroda, Onibaba) (5)
COLOR CINEMATOGRAPHY: Jean Rabier , THE UMBRELLAS OF CHERBOURG (2nd: Carlo di Palma, Red Desert, followed by: Yoshio Miyagima, Kwaidan; Geoffrey Unsworth, Becket; Harry Stradling, My Fair Lady) (5)
1965: BLACK-AND-WHITE CINEMATOGRAPHY: Raoul Coutard, ALPHAVILLE, followed by: David Watkin, The Knack, and How to Get It; Marcel Grignon, Rapture; Haskell Wexler, The Loved One; Oswald Morris, The Hill) (5)
COLOR CINEMATOGRAPHY: Frederick A. Young, DOCTOR ZHIVAGO (2nd: William C. Mellor and Loyal Griggs, The Greatest Story Ever Told, followed by: Ted McCord, The Sound of Music; Anatoli Petritsky, War and Peace; Gianni di Venanzo, Juliet of the Spirits) (5)
1966: BLACK-AND-WHITE CINEMATOGRAPHY: Haskell Wexler, WHO'S AFRAID OF VIRGINIA WOOLF? (2nd: James Wong Howe, Seconds, followed by: Tamas Somlo, The Round Up; Sven Nykvist, Persona; Ghislain Cloquet, Au Hasard, Balthazar) (5)
COLOR CINEMATOGRAPHY: Carlo di Palma, BLOW UP (2nd: Nicolas Roeg, Fahrenheit 451, followed by: Tonino Delli Colli, The Good, the Bad and the Ugly; Conrad Hall, The Professionals; Ted Moore, A Man for All Seasons) (5)
1967: Robert Surtees, THE GRADUATE (2nd: Conrad Hall, In Cold Blood, followed by: Jean Badal and Andreas Winding, Playtime; Burnett Guffey, Bonnie and Clyde; Nicolas Roeg, Far from the Madding Crowd) (5)
1968: Geoffrey Unsworth and John Alcott, 2001: A SPACE ODYSSEY (2nd: Tonino Delli Colli, Once Upon a Time in the West, followed by: Yu-Lan Chan, Anatoly Petritsky, and Aleksandr Shelenkov, War and Peace; Pasquelino De Santis, Romeo and Juliet; Oswald Morris, Oliver!) (5)
1969: Lucien Ballard, THE WILD BUNCH (2nd: Conrad Hall, Butch Cassidy and the Sundance Kid, followed by: Giuseppe Rotunno, Fellini Satyricon; Haskell Wexler, Medium Cool; Adam Hollander, Midnight Cowboy) (5)
1970: Frederick A. Young, RYAN'S DAUGHTER (2nd: Vittorio Storaro, The Conformist, followed by: Henri Decaë, Le Cercle Rouge; Rafael Corkidi, El Topo; David Watkin, Catch-22) (5)
1971: Oswald Morris, FIDDLER ON THE ROOF (2nd: Robert Surtees, The Last Picture Show, followed by: Vilmos Zsigmond, McCabe and Mrs Miller; Gilbert Taylor, Macbeth; Gordon Willis, Klute) (5)
1972: Gordon Willis, THE GODFATHER (2nd: Sven Nykvist, Cries and Whispers, followed by: Vittorio Storaro, Last Tango in Paris; Geoffrey Unsworth, Cabaret; Vilmos Zsigmond, Deliverance) (5)
1973: Lazslo Kovacs, PAPER MOON (2nd: Owen Roizman and Billy Williams, The Exorcist, followed by: Rafael Corkidi, Holy Mountain; Conrad Hall, Electra Glide in Blue; Robert Surtees, The Sting) (5)
1974: Gordon Willis, THE GODFATHER PART II (2nd: John A. Alonzo, Chinatown, followed by: Gordon Willis, The Parallax View; Gerald Hirschfeld, Young Frankenstein; Bruce Surtees, Lenny) (5)
1975: John Alcott, BARRY LYNDON (2nd: Russell Boyd, Picnic at Hanging Rock, followed by John Alcott, Overlord; Haskell Wexler and Bill Butler, One Flew Over the Cuckoo’s Nest; Conrad Hall, The Day of the Locust) (5)
1976: Haskell Wexler, BOUND FOR GLORY (2nd: Gordon Willis, All The President's Men, followed by: Michael Chapman, Taxi Driver; Owen Roizman, Network; Vittorio Storaro, 1900) (5)
1977: Herbert Caldwell and Frederick Elmes, ERASERHEAD (2nd: Frank Tidy, The Duellists; followed by: Vilmos Zsigmond, John A. Alonzo, Steven Poster, Laszlo Kovacs, William Fraker, and Douglas Slocombe, Close Encounters of the Third Kind (award given to Zsigmond solely); Charles Rosher Jr., 3 Women; Dick Bush and John M. Stephens, Sorcerer) (5)
1978: Nestor Almendros and Haskell Wexler, DAYS OF HEAVEN (2nd: Michael Chapman, Laszlo Kovacs and Vilmos Zsigmond, The Last Waltz, followed by Vilmos Zsigmond, The Deer Hunter; Gordon Willis, Interiors; Dean Cundey, Halloween) (5)
1979: Vittorio Storaro, APOCALYPSE NOW (2nd: Gordon Willis, Manhattan, followed by: Caleb Deschanel, The Black Stallion; Geoffrey Unsworth and Ghislain Cloquet, Tess (won in 1980); Giuseppe Rotunno, All That Jazz; Nestor Alamendros, Kramer Vs. Kramer) (6)
1980: Freddie Francis, THE ELEPHANT MAN (2nd: Vilmos Zsigmond, Heaven‘s Gate, followed by: Michael Chapman, Raging Bull; Takao Saito and Shoji Ueda, Kagamusha; John Alcott, The Shining) (5)
1981: Vittorio Storaro, REDS (2nd: Alex Thomson, Excalibur, followed by: Jost Vacano, Das Boot; Vilmos Zsigmond, Blow Out; Gordon Willis, Pennies From Heaven; Douglas Slocombe, Raiders of the Lost Ark) (6)
1982: Sven Nykvist, FANNY AND ALEXANDER (won in 1983) (2nd: Jordan Cronenweth, Blade Runner, followed by: Nestor Alamendros, Sophie’s Choice; Andrezj Bartkowiak, The Verdict; Allen Daviau, E.T. The Extraterrestrial; Billy Williams, Gandhi) (6)
1983: Chris Menges, LOCAL HERO (2nd: Caleb Deschanel, The Right Stuff, followed by: Gordon Willis, Zelig; Stephen Burum, Rumble Fish; Hiro Narita, Never Cry Wolf) (5)
1984: Caleb Deschanel, THE NATURAL (2nd: Chris Menges, The Killing Fields, followed by: Miroslav Ondricek, Amadeus; Jordan Cronenweth, Stop Making Sense; Gordon Willis, Broadway Danny Rose) (5)
1985: Takao Saito, Masaharu Ueda and Asakazu Nakai, RAN (2nd: Phillippe Rousselot, The Emerald Forest, followed by: John Seale, Witness; David Watkin, Out of Africa; Gordon Willis, The Purple Rose of Cairo) (5)
1986: Frederick Elmes, BLUE VELVET (2nd: Chris Menges, The Mission, followed by: Bruno Nuytten, Jean De Florette/Manon of the Spring; Jordan Cronenweth, Peggy Sue Got Married; Sven Nykvist, The Sacrifice) (5)
1987: Henri Alekan, WINGS OF DESIRE (2nd: Haskell Wexler, Matewan, followed by: Vittorio Storaro, The Last Emperor; Allen Daviau, Empire of the Sun; Douglas Milsome, Full Metal Jacket) (5)
1988: Sven Nykvist, THE UNBEARABLE LIGHTNESS OF BEING (2nd: Vittorio Storaro; Tucker: The Man and His Dream, followed by: Giuseppe Rotunno, The Adventures of Baron Munchausen; Jan De Bont, Die Hard; Phillippe Rousselot, The Bear) (5)
1989: Ernest Dickerson, DO THE RIGHT THING (2nd: Michael Ballhaus, The Fabulous Baker Boys, followed by: Mikael Solomon, The Abyss; Takashi Kawamata, Black Rain; Freddie Francis, Glory) (5)
1990: Vittorio Storaro, THE SHELTERING SKY (2nd: Vittorio Storaro, Dick Tracy, followed by: Barry Sonnenfeld, Miller’s Crossing; Michael Ballhaus, GoodFellas; Phillippe Rousselot, Henry and June) (5)
1991: Lun Yang and Fei Zhao, RAISE THE RED LANTERN (2nd: Roger Deakins, Barton Fink, followed by: Robert Richardson, JFK; Darius Khondji; Delicatessen; Freddie Francis, Cape Fear) (5)
 1992: Phillippe Rousselot, A RIVER RUNS THROUGH IT (2nd: Tony Pierce-Roberts, Howards End, followed by: Jack Green, Unforgiven; Robert Fraisse, The Lover; Michael Coulter, The Long Day Closes) (5)
1993: Janusz Kaminski, SCHINDLER’S LIST (2nd: Michael Ballhaus, The Age of Innocence, followed by: Slawomir Idziak, Three Colors: Blue; Tony Pierce-Roberts, The Remains of the Day; Conrad Hall, Searching for Bobby Fischer) (5)
1994: Stefan Czapsky, ED WOOD (2nd: Piotr Sobocinski, Three Colors: Red, followed by: Roger Deakins, The Shawshank Redemption; Robert Richardson, Natural Born Killers; Owen Roizman, Wyatt Earp) (5)
1995: Darius Khondji, SEVEN (2nd: Andrew Lesnie, Babe, followed by: Yue Lu, Shanghai Triad; Robert Richardson, Casino; Dante Spinotti, Heat) (5)
1996: Robby Muller, BREAKING THE WAVES (2nd: John Seale, The English Patient, followed by: Caleb Deschanel, Fly Away Home; Roger Deakins, Fargo; Chris Menges, Michael Collins) (5)
1997: Dante Spinotti, L.A. CONFIDENTIAL (2nd: Frederick Elmes, The Ice Storm, followed by: Roger Deakins, Kundun; Alexei Yodorov, Mother and Son; Alexei Rodionov Passion in the Desert) (5)
1998: John Toll, THE THIN RED LINE (2nd: Anthony Dod Mantle, The Celebration, followed by: Janusz Kaminski, Saving Private Ryan; Robert Yeoman, Rushmore; Eduardo Serra, What Dreams May Come) (5)
1999: Conrad Hall, AMERICAN BEAUTY (2nd: Larry Smith, Eyes Wide Shut, followed by: Freddie Francis, The Straight Story; Robert Elswit, Magnolia; Newton Thomas Sigel, Three Kings; Richard Sandler, The Gods of Times Square; Bill Pope, The Matrix; Dante Spinotti, The Insider; Luciano Tavoli, Titus; Dick Pope, Topsy-Turvy) (10)
2000: Christopher Doyle, Pung-Leung Kwan and Mark Lee Ping-bin, IN THE MOOD FOR LOVE (2nd: Peter Pau, Crouching Tiger Hidden Dragon, followed by: Matthew Libatique, Requiem for a Dream; Robby Muller, Dancer in the Dark; Roger Deakins, O Brother Where Art Thou?) (5)
2001: Roger Deakins, THE MAN WHO WASN’T THERE (2nd: Donald McAlpine, Moulin Rouge!, followed by: Bruno Delbonnel, Amelie; Slawomir Idziak, Black Hawk Down; Andrew Lesnie, The Lord of the Rings: The Fellowship of the Ring) (5)
2002: Ed Lachman, FAR FROM HEAVEN (2nd: Tilman Butler, Russian Ark, followed by: Conrad Hall, Road to Perdition; Dion Beebe, Chicago; Robert Elswit, Punch-Drunk Love) (5)
2003: Harris Savides, ELEPHANT (2nd: Russell Boyd, Master and Commander: The Far Side of the World, followed by: Vincent Gallo, The Brown Bunny; Chung Chung-hoon, Oldboy; Harris Savides, Gerry) (5)
2004: Robert Richardson, THE AVIATOR (2nd: Harris Savides, Birth, followed by: Robert Yeoman, The Life Aquatic with Steve Zissou; Caleb Deschanel, The Passion of the Christ; Christopher Doyle and Pung-Leung Kwan, 2046) (5)
2005: Emmanuel Lubezki, THE NEW WORLD (2nd: Dion Beebe, Memoirs of a Geisha, followed by: Wally Pfister, Batman Begins; Robert Elswit, Good Night and Good Luck; Philip Groning, Into Great Silence) (5)
2006: Colin Watkinson, THE FALL (2nd: Emmanuel Lubezki, Children of Men, followed by: Wally Pfister, The Prestige; Guillermo Navarro, Pan's Labyrinth; Barry Ackroyd, United 93) (5)
2007: Roger Deakins, THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (2nd: Robert Elswit, There Will Be Blood, followed by: Roger Deakins, No Country For Old Men; Christopher Doyle and Rain Li, Paranoid Park; Darius Khondji, My Blueberry Nights) (5)
2008: Hoyte van Hoytema, LET THE RIGHT ONE IN (2nd: Frederick Elmes, Synecdoche, New York, followed by: Wally Pfister, The Dark Knight; Sam Levy, Wendy and Lucy; Anthony Dod Mantle, Slumdog Millionaire) (5)
2009: Christian Berger, THE WHITE RIBBON (2nd: Grieg Fraser, Bright Star, followed by: Benoit Debie, Enter the Void; Robert Richardson, Inglourious Basterds; Anthony Dod Mantle, Antichrist) (5)
2010: Sayombhu Mukdeeprom, UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES, followed by: Mikhail Krichman, Silent Souls; Jeff Cronenweth, The Social Network; Wally Pfister, Inception; Matthew Libatique, Black Swan) (5)
2011: Emmanuel Lubezki, THE TREE OF LIFE (2nd: Gohkan Tiraki, Once Upon A Time in Anatolia, followed by: Robert Persons, General Orders No. 9; Manuel Alberto Claro, Melancholia; Guillaume Schiffman, The Artist) (5)
2012: Mihai Malaimaire Jr., THE MASTER (2nd: Roger Deakins, Skyfall, followed by: Benoit Debie, Spring Breakers; Frank Gribe and John Toll, Cloud Atlas; Grieg Fraser, Zero Dark Thirty) (5)
2013: Bruno Dubonnel, INSIDE LLEWYN DAVIS (2nd: Emmanuel Lubezki, Gravity, followed by: Ryszard Denczewski and Lukasz Zal, Ida; Phillipe Le Sourd, The Grandmaster; Brandon Troust, The Lords of Salem) (5)
2014: Emmanuel Lubezki, BIRDMAN, OR: THE UNEXPECTED VIRTUE OF IGNORANCE (2nd: Jean-Francois Lord, A Chair Fit for an Angel, followed by: Dick Pope, Mr. Turner; Robert Elswit, Inherent Vice; Robert Yeoman, The Grand Budapest Hotel) (5)
2015: Linus Sandgren, LA LA LAND (2nd: Caleb Deschanel, Rules Don't Apply, followed by: James Laxton, Moonlight; Vittorio Storaro, Cafe Society; Rodrigo Prieto, Silence) (5)
2016: Emmanuel Lubezki, THE REVENANT (2nd: Roger Deakins, Sicario, followed by: Ed Lachman, Carol; John Seale, Mad Max: Fury Road; Maryse Alberti, Creed) (5)
2017: Hoyte van Hoytema, DUNKIRK (2nd: Paul Thomas Anderson, Phantom Thread, followed by: Mathiew Libatique, mother!; Alexis Zabe, The Florida Project; Sam Levy, Lady Bird) (5)
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COLOR CINEMATOGRAPHY: Leon Shamroy, WILSON (2nd: George Folsey, Meet Me in St. Louis, followed by: Allen M. Davey and Rudolph Mate, Cover Girl; Robert Krasker and Jack Hildyard, Henry V; Ray Rennahan, Lady in the Dark) (5)
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